Adventure stories; England -- Social life and customs -- 18th century -- Fiction; Love stories; Smuggling -- Fiction
He did not at once answer. The girl looked even handsomer, so it seemed
to him, in the dying light of day than she had done by the light of
moon and lantern on the preceding evening. The creamy tints of her
skin melted into bright carnation on her cheeks; and he thought, with
a flash of amusement, of the strictures of the powdered and painted
ladies of Hurst Court upon her rustic complexion. Her dress, too,
pleased his taste better than theirs had done. She wore neither hood
nor cap, and her abundant brown hair was rolled back from her forehead
in a style which was at that period somewhat old-fashioned, but which
gave infinitely more dignity to the head than the tightly screwed-up
knot of the fashionable ladies. She wore no hoop or next to none, and
her full skirt, of some sort of gray homespun, fell in graceful folds
around her. A long fine white apron reached to the hem of her dress,
and her bodice was adorned with a frilled kerchief of soft white
muslin, and with full gathers of muslin just below the elbow. The dress
was neat, simple, eminently fresh and becoming.
Perhaps Tregenna’s masculine eye did not take in all these details; but
he was conscious that the whole effect was pleasing beyond anything
feminine he had ever seen, and vastly superior to the modish charms of
the Hurst Court ladies. He gave himself, however, little time for these
reflections before a glance at the house behind her suggested to him a
thought which he immediately put into the most matter-of-fact words.
“You stand high here, madam; that tower to the east of your house will
give you a view over many miles. Will you favor me with your permission
to go up thither for a few minutes, that I may take a reconnaissance of
the country?”
By the startled look which instantly came into Joan’s gray eyes, by
the crimson flush which mounted to her forehead, Tregenna saw, to his
intense annoyance, another proof that her sympathy with his foes went
beyond the passive stage.
“Oh, you can’t go into the tower, sir; at least——” She hesitated a
moment, evidently looking for an excuse, and then went on—“at least,
in my father’s absence. If you will come hither to-morrow, or—or——”
Tregenna noticed that at this point she sought the eyes of the woman
with whom she had been talking, and who had withdrawn respectfully to a
distance of some paces on his approach. “Or the day after. ’Tis a fair
view, certainly, when there’s no mist on the marshes; but hardly worth
the trouble of climbing our staircase, which is encumbered by much
lumber of my father’s,” she ended somewhat lamely, but recovering her
composure.
Public-domain text, read in full here on John Shaqi.
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