Wilbrow, interrogated, supplied the context. Arlington had bought up,
through a third party, Mrs. Cardrow's interest in "Mrs. Mixer," advising
her to sell out because the play had already scored one failure and
promising her another play in which she would stand better chance to win
New York audiences. This was an old comedy from the French, revamped,
and was even then being rehearsed with a scrub company and a scratch
outfit of scenery, the production to be made on the same night that
"Mrs. Mixer" was to tempt fate with Joan Thursday; the designated date
being the twenty-fifth of October, a Wednesday.
Matthias promptly dismissed the matter from his mind: he speculated a
little, hazily about Marbridge, in his constitutional inability to
understand that gentleman, felt more than ever sorry for Venetia and
wondered how much longer she would stand it all--and plunged again into
his preoccupation.
"Tomorrow's People" was announced for production on Monday, October the
twenty-third. But after the dress-rehearsal on Sunday certain changes
recommended themselves as advisable to the judgment of the author, who
persuaded the management to postpone the opening night until Wednesday.
At ten minutes to twelve on that night the final curtain fell upon a
successful representation; an audience in its wraps blocked the aisles
until after midnight, applauding and demanding the author; who, however,
was not in the theatre.
He had, in fact, not been near it since the curtain, falling on the
first act, had persuaded him of the general friendliness of an audience
and the competency of the company. This culmination of a nerve-racking
strain which had endured without respite for over a month found him
without courage to await the verdict. He took to the streets and walked
himself weary in vain effort to refrain from circling back toward the
building whose walls housed his fate.
At length, in desperation hoping to distract his thoughts from the
supreme issue, he purchased a ticket of admission to another theatre,
above whose entrance blazed the announcement "Mrs. Mixer," and stationed
himself at the back of the orchestra to witness the last part of the
performance.
Public-domain text, read in full here on John Shaqi.
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