He saw the self-confidence of Gloucester supremely justified: the
satiric farce marched steadily, scene by scene, to a success that was to
keep it on Broadway through the winter and make the name of Joan
Thursday a house-hold word throughout the Union. Her personal success
was as unquestionable as her beauty; she played with grace, vivacity,
charm, and distinction; and only to the initiate of the theatre was it
apparent that Gloucester had found in her the perfect medium for the
transmission of his art. Matthias could see, in company with a few of
the more discriminating and stage-wise, that she employed not a gesture,
intonation or bit of business which had not originated with Gloucester;
she brought to her rôle on her part nothing but beauty and an unshakable
self-confidence so thoroughly ingrained that it escaped suggesting
self-consciousness. The triumph was, rightly, first Gloucester's, then
the play's; but the public acclaimed the actress, and the one acidulated
critic who hailed her, the following morning, as "at last!--the perfect
human kinetophone record!" was listened to by none, least of all by the
subject of his sarcasm. Marbridge, in a stage box, led the applause at
the conclusion of each act; and at the end of the play Arlington came in
person before the curtain, leading by the hand the gracefully reluctant
Joan, and in a few suave sentences thanked the audience for its
appreciation and a beneficent Providence for granting him this
opportunity of fixing a new star in the theatrical firmament: the name
of "this little girl," he promised (bowing to Joan) would appear in
letters of fire over the theatre, the next night....
Pausing in the lobby to light a cigarette before leaving, Matthias
overheard one of Arlington's lieutenants confiding to another the news
of the ruinous failure of the third initial production of that night.
Half an hour later he met Wilbrow by appointment in a quiet,
non-theatrical club, and received from him confirmation of rumours which
had already reached him of his own triumph with "Tomorrow's People."
"You're a made man now," Wilbrow told him with sincere good will and
some little honest envy; "by tomorrow morning the pack will be at your
heels, yapping for a chance to put on every old 'script in your trunk."
"I suppose so," Matthias nodded soberly.
Public-domain text, read in full here on John Shaqi.
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