"Do you think--perhaps--she might be in?"
"Oh, she never leaves the house. At least, I've never seen her leave it.
I fancy she thinks one of us might move it away if she got out of sight
for a minute or so."
Puzzled, Joan persisted: "You really think Miss Dean is in?"
"Miss Dean? Oh, beg pardon! I was thinking of Madame Duprat. Ah ... Miss
Dean ... now ... I infer you have urgent business with her--what?"
"Yes, very!" the girl insisted eagerly. "If I could only see her ... I
must see her!"
"I'm sure she's in, then!" the man declared in accents of profound
conviction. "Possibly asleep. But at home. O positively!" He inserted a
key in the lock and pushed the door open. "If you don't mind coming
in--out of the weather--I'll see."
Joan eyed him doubtfully. The light was indifferent, a mere glimmer from
the corner lamp at Eighth Avenue; but it enabled her to see that he was
passably tall and quite slender. He wore a Panama hat with dark
clothing. His attitude was more explicitly impersonal than that of any
man with whom she had as yet come into contact: she could detect in it
no least trace either of condescension or of an ingratiating spirit. He
seemed at once quite self-possessed and indefinitely preoccupied,
disinterested, and quite agreeable to be made use of. In short, he
engaged her tremendously.
But what more specifically prepossessed her in his favour, and what in
the end influenced her to repose some slight confidence in the man, was
a quality with which the girl herself endowed him: she chose to be
reminded in some intangible, elusive fashion, of that flower of
latter-day chivalry who had once whisked her out of persecution into
his taxicab and to her home. In point of fact, the two were vastly
different, and Joan knew it; but, at least, she argued, they were alike
in this: both were _gentlemen_--rare visitants in her cosmos.
It was mostly through fatigue and helpless bewilderment, however, that
she at length yielded and consented to precede him into the vestibule.
Here he opened the inner doors, ushering Joan into a hallway typical of
an old order of dwelling, now happily obsolescent. The floor was of
tiles, alternately black and white: a hideous checker-board arrangement.
A huge hat-rack, black walnut framing a morbid mirror, towered on the
one hand; on the other rose a high arched doorway, closed. And there was
a vast and gloomy stairway with an upper landing lost in shadows
impenetrable to the feeble illumination of the single small tongue of
gas flickering in an old-fashioned bronze chandelier.
Listening, Joan failed to detect in all the house any sounds other than
those made by the young man and herself.
"If you'll be good enough to follow me--"
Public-domain text, read in full here on John Shaqi.
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