Quard turned up in the morning with red-rimmed eyes, a flushed face and
a thick tongue blatantly advertising a night of sleepless drunkenness.
By sheer force of an admirable physique and the instinct of a trained
actor, he contrived to play the first turn without mishap, snatched a
little sleep in his dressing-room, and seemed almost his everyday self
at the next repetition. But after that he left the theatre to drug his
jangling nerves with more whiskey; and appeared at the final repetition
so stupefied that he would not have been permitted to go on the stage
but for remissness on the part of the stage-manager. Before he had been
five minutes on view he was hooted off and the curtain was rung down
amid an uproar.
Once back in her dressing-room (where she was alone, since their act was
the last on the bill and the rest of the performers had already left the
theatre) Joan gave way to a semi-hysterical tempest of tears. It was her
first experience at close quarters with a man in hopeless intoxication,
and while Quard's surrender was too abject to terrify, she was faint
with disgust of him and incensed beyond measure with him for having
subjected her to those terrible five minutes before a howling audience.
With this, she was poignantly aware that henceforth their offering was
"cold": by morning Quard's name would be upon the black-list and
further booking impossible to secure. She might as well count herself
once more out of work, and now in even less hopeful circumstances than
when first she had struck out for herself; for then she had been buoyed
up by the fatuous confidence of complete inexperience, and then she had
been comparatively affluent in the possession of twenty-two dollars. Now
she knew how desperately hard was the way she must climb, and she had
less than five dollars. What little she had been able to set aside out
of her weekly wage had gone to purchase some sorely needed supplements
to her meagre wardrobe.
It was some time before she could collect herself enough to dabble her
swollen eyes with cold water, scrub off her make-up, and change for the
street.
She stole away presently across an empty and desolate stage and
through the blind, black alley leading from the stage-door to
One-hundred-and-twenty-fifth Street. She felt somewhat relieved and
comforted by the clean night air and the multitude of lights--the sense
of normal life fluent in its accustomed, orderly channels. It seemed, in
her excited fancy, like escaping from the foul, choking atmosphere of a
madhouse....
The theatre was near Third Avenue, toward which Joan hurried, meaning to
board a southbound car and transfer to Forty-second Street. But as she
neared the corner she checked sharply, and (simple curiosity proving
stronger than her impulse to fly across the street) went more
slowly--only a few yards behind a figure that she knew too well--a
swaying figure with weaving feet.
Public-domain text, read in full here on John Shaqi.
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