Vastly different from the carefully overdressed, dandified person he had
been at their first meeting, Quard stumbled on, his hands deep in
pockets, head low between his shoulders, a straw hat jammed down over
his eyes. Obviously he was without definite notion of either his
where-abouts or his destination. Passers-by gave him a wide berth.
He seemed so broken and helpless that pity replaced horror and
indignation in the heart of the girl. After all, he hadn't been unkind
to her; but for him she would long since have gone to the wall; and ever
since their clash on the day of the try-out, he had treated her with a
studied respect which had pleased her, apprehensive though she had
remained of a renewal of his advances.
Suddenly, and quite without premeditation, she darted forward and
plucked Quard by the sleeve just as he was on the point of staggering
through the swinging doors of a corner saloon. If her impulse had been
at all articulate, she would have said that this was, in such extremity,
the least she could do--to try to save him from himself.
"Charlie!" she cried. "No, Charlie--don't be a fool!"
The man halted and, turning, reeled against the door-post. "Wasmasr?" he
asked thickly. Then recognition stirred in his bemused brain. "Why, it's
lil Joan Thursh'y...."
"Come away," she insisted nervously. "Don't be a fool. Don't go in
there. Go home."
He moved his head waggishly. "Thash where 'm goin'--home--soon's I brace
up a bit."
"Come away!" Joan repeated sharply, dragging at his cuff. "Do you hear?
Come away. A walk'll straighten you out better'n anything else."
"Walk, eh?" Quard lifted his chin and lurched away from the door-post.
"Y' wanna take walk with me? All right"--indulgently--"_I_'ll walk with
you, lil one, 's far's y' like."
"Come, then!" she persisted. "Hurry--it's late."
He yielded peaceably, with a sodden chuckle; but as he turned the lights
of the saloon illumined his face vividly for an instant, and provided
Joan with a fresh and appalling problem. The man had forgotten to remove
his make-up; his mouth and jaws were plastered with a coat of
bluish-grey paint, to suggest a week's growth of beard when viewed
across footlights; there were wide blue rings round his eyes, and
splashes of some silvery mixture on his dark hair. His face was a
burlesque mask, so extravagant that it could not well escape observation
in any steady light. It was impossible for Joan to be seen publicly with
him--in a street-car, for instance. But now that she had taken charge of
him, she couldn't gain her own consent to abandon the man to the
potentially fatal whims of his condition. For a moment aghast and
hesitant, in another she recognized how unavoidable was the necessity of
adopting the suggestion his stupefied wits had twisted out of her
pleadings: she would have to walk with him a little way, at least until
he could recover to some slight extent.
Public-domain text, read in full here on John Shaqi.
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