"Socknersh ..."
"Yes, missus."
She hesitated whether she should share with him her new inspiration. It
would be good to hear him say "Surelye, missus" in that admiring, husky
voice. He was the only one of her farm-hands who, she felt, had any
deference towards her--any real loyalty, though he was the last come.
"Socknersh, d'you think your master up at Garlinge would let me hire one
or two rams to cross with my ewes?--I might go up and have a look at
them. I don't know as I've ever seen a Spanish sheep.... Garlinge is up
by Court-at-Street, ain't it?"
"Yes, missus. 'Tis an unaccountable way from here."
"I'd write first. What d'you think of the notion, Socknersh? Don't you
think that a cross between a Spanish sheep and a Kent sheep ud be an
uncommon fine animal?"
"Surelye, missus."
That night Joanna dreamed that giant sheep as big as bullocks were being
herded on the Marsh by a giant shepherd.
Sec.10
Spring brought a blooming to Ansdore as well as to the Marsh. Joanna had
postponed, after all, her house-painting till the winter months of
rotting sea mists were over. But in April the ladders striped her
house-front, and soon her windows and doors began to start luridly out
of their surroundings of mellowed tiles and brick. After much
deliberation she had chosen yellow for her colour, tastefully picked out
with green. She had always been partial to yellow--it was a colour that
"showed up" well, and she was also influenced by the fact that there was
no other yellow-piped dwelling on the Marsh.
Her neighbours disapproved of her choice for the same reasons that had
induced her to make it. They were shocked by the fact that you could see
her front door from half a mile off on the Brodnyx Road; it was just
like Joanna Godden to choose a colour that shrieked across the landscape
instead of merging itself unobtrusively into it. But there was a still
worse shock in store for public opinion, and that was when she decided
to repaint her waggons as well as her house.
Public-domain text, read in full here on John Shaqi.
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