Joe Leslie's Wife; or, a Skeleton in the ClosetRobertson, Alexander, M.D.
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Joe Leslie's Wife; or, a Skeleton in the Closet
Robertson, Alexander, M.D.
Detective and mystery stories; Husband and wife -- Fiction; New York (N.Y.) -- Fiction
Possibly little or no progress had been made, and hence she had finally
determined to change, just as a patient, becoming dissatisfied with his
doctor, calls in another physician.
Luck alone had brought her to his office—perhaps it was the sweet little
cherub that watches over the affairs of lovers.
At any rate it was a piece of good fortune for all parties concerned.
He proceeded to question Joe, desiring to learn all he could of the case.
“You say you had never seen the gentleman before?”
“Never.”
“Not in your wife’s album?”
“You mean that he might be one of her old beaux—no, not even there. He
is a stranger to me.”
“But if you met him you would know him?”
“Well, rather.”
“Can you describe him to me?”
“I can do better—show you a picture of him just as he leaves my front
door.” With that he held out a card, upon which was a round photograph,
or rather picture, which Eric saw had been taken with a Kodak camera,
just coming into general use at that time.
The scene was a door-step with a number over the door—a man was
descending—the lower part of his body could not be seen, but his body and
head were well taken. He carried something under his arm like a flat
book.
Eric Darrell studied the face as well as he could upon such a small
surface—he wanted to know it again.
Then he looked further.
Just above, a lady stood outside the door, as if seeing the gentleman
depart. It was Lillian Leslie without a doubt.
“How in the deuce did you get this?” he asked in some surprise, “it’s as
clever a piece of business as I know of.”
“I hired a young fellow to do it for me. He took this man several times
afterward. See, there is one that shows his face better, because there
is little else—it was taken close.”
Darrell examined this picture also.
“Seems to me I’ve seen this man on the street or somewhere—I can’t just
place him though,” he muttered.
“Is there anything more you wish to tell me, Joe,” he asked aloud.
“Unfortunately—yes.”
“Proceed.”
“It seemed as though fate had been pleased to conspire against my peace
of mind. I picked up a piece of paper from the floor to toss into the
grate in the library when certain words caught my eye, and instead I put
it in my pocket.”
“When was this?”
“Last evening.”
“Have you the paper still?”
“Yes.”
“Let me see it, if you have no objection.”
“Certainly not. I want everything to be placed before you now.”
“Everything but your own secret,” thought the detective, as he took the
paper.
It was evidently a portion of a torn note and had been twisted around.
Darrell smoothed it flat and then read in a woman’s fine chirography:
“—we will hope for the best. At any rate, fair Lillian, your secret
shall never be betrayed by your sincere friend, BARBARA.
“P.S. Be sure and burn this. B.”
“What do you think of that?” asked Joe. “It has a peculiar look. One
thing is certain—Lillian made a mistake—she did not burn it up.”
“But tore it to pieces instead.”
Public-domain text, read in full here on John Shaqi.
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