Joe Leslie's Wife; or, a Skeleton in the ClosetRobertson, Alexander, M.D.
General
Joe Leslie's Wife; or, a Skeleton in the Closet
Robertson, Alexander, M.D.
Detective and mystery stories; Husband and wife -- Fiction; New York (N.Y.) -- Fiction
Woman-like she was interested, and declared she loved him better because
of the mercy he had shown for the boy.
Then Lillian retired.
Joe sat there a long time thinking.
Finally he got up and went over to the closet as if to effect an
entrance, trying several of the keys on his bunch but with no success.
Then he walked up and down.
At times he was dejected and again his face seemed to speak of sudden
passion.
Human nature is a strange thing.
A man enters an omnibus and frowns to hear the growls of those
comfortably settled as they make room for him—presently another comes in,
and his growls at being forced to squeeze into a smaller compass exceed
the rest.
Joe, upstairs, discovered the missing key on the dainty dresser of his
wife’s room—he took it in his hand, started for the door, stopped, made
an impatient gesture, and returned the key to the place where he found
it.
“Suspect her—never,” he muttered, and yet at the very moment his feelings
had gotten beyond his control—it was pride that kept him from venturing
to pry into her secret and discover what lay hidden in the library
closet.
Thus Joe had won and lost a victory.
CHAPTER XII
THE OPIUM JOINT
Eric Darrell watched the man whom he had thus met on the platform of the
elevated station. He wondered what magical power Paul Prescott possessed
over Joe Leslie’s wife.
The man was odd looking, as a genius is ever supposed to be, but there
was nothing about him to indicate that he might be a masher or a
heart-breaker.
Darrell looked him over, taking a mental measurement of the man, as he
had a dim idea the time might be near at hand when they would be on
opposite sides.
The other left the train. Darrell followed him.
Presently he saw a woman join the artist and hand him a note, which he
seemed to read with great eagerness, then he hurried off.
The keen eyes of the detective had noted something of extreme importance.
When Prescott believed he put the note away in his pocket, in reality it
fluttered down to the pavement as he hastened away.
In just five seconds by the watch it was in the possession of Eric
Darrell.
He then continued on his way to his rooms.
Reaching his den he changed his appearance, and appeared in his natural
figure. Then he took out the paper just found and eagerly scrutinized
it; not that he was particularly interested in the secrets of Paul
Prescott, but the artist had crossed his path, and hence all that he did
should be scrutinized.
As he suspected, the writing was in a lady’s chirography—so many ladies
write alike, as though taught by a certain school, that individuality is
lost.
This is what the detective read, and it opened his eyes in an astonishing
manner:
Public-domain text, read in full here on John Shaqi.
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