Joe Leslie's Wife; or, a Skeleton in the ClosetRobertson, Alexander, M.D.
General
Joe Leslie's Wife; or, a Skeleton in the Closet
Robertson, Alexander, M.D.
Detective and mystery stories; Husband and wife -- Fiction; New York (N.Y.) -- Fiction
At a certain hour no doubt a closed carriage would be waiting to convey
them all home—perhaps the dashing widow had some male friend present who
would serve as an escort.
Prescott received his pipe, prepared his pill and was soon smoking
quietly.
Silence rested upon the place—people came not here to converse, but to
dream with open eyes, seeing the beautiful things that danced before
their eyes like a bright _ignis fatuus_, always eluding their grasp, yet
luring them deeper and deeper into the toils.
CHAPTER XIII
A TERRIBLE DOOM
Before Eric Darrell had been in the place ten minutes he made a discovery
that had a strong bearing on the case.
This was in reference to the artist.
Paul Prescott had shown all the signs of an opium smoker’s eagerness to
have a draw at the subtle drug when he came in.
Nevertheless, Eric had already decided that much of this was assumed.
His own experience showed how such a thing could be; hence, he believed
another might copy the same signs of distress with equal success.
Then Prescott had a reason for coming here other than the desire to
smoke.
What could it be?
Darrell had eyes, and he was able to form conclusions very speedily.
He knew that the presence of the dark-veiled woman in the bunk adjoining
that taken by the artist, was what had drawn him.
Circumstances pointed to this fact—their heads were close together, one
resting upon the right, the other upon the left side.
The detective’s thoughts were busy.
He remembered the note.
Could this veiled creature be the party signing that missive?
According to the conclusions he had already drawn this could not be so,
for he had made up his mind that the writer must be Lillian, and only
waited to prove this fact.
Who then was the veiled lady?
Bah! such a man as Paul Prescott might be engaged in half a dozen little
love affairs at one and the same time.
He would finally abandon all the rest for the charmer who held his fickle
heart most heavily chained, or else whose bank account was the most
promising.
To a man of Darrell’s steadiness of purpose, there was something almost
revolting about such a character as this, and yet he found certain things
to study in the artist’s face—points that rather puzzled him when
scrutinized.
The man was worthy of being analyzed. There might be more to him than
even appeared upon the surface.
Darrell was wide awake, although he pretended to be already under the
magic influence.
He was soothed by the odor of the opium, without giving way to it, and
watched the couple across the way.
The hanging curtains partly concealed him, and he was sure a note passed
from one to the other. If the girl thus heavily veiled was in the charge
of the widow, the latter did not seem in a condition to watch over her
ward, for she had given herself up wholly to her dreams.
Public-domain text, read in full here on John Shaqi.
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