John, A Love Story; vol. 2 of 2Oliphant, Mrs. (Margaret)
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John, A Love Story; vol. 2 of 2
Oliphant, Mrs. (Margaret)
Fiction; Love stories
And this feeling grew as John walked slowly along the quiet country
road that led to his home. Everything he passed was associated with
thoughts which were as much over and gone as if they had happened in a
different existence. He had walked along by these hedgerows pondering
a thousand things, but scarcely one that had any reference to, any
relation with, his present life. He had been a dreamer, planning high
things for the welfare of the world; he had been a reformer, rousing,
sometimes tenderly, sometimes violently, the indifferent country from
its slumbers; sometimes, even, retiring to the prose of things, he had
tried to realise the details of a clergyman’s work, and to fit himself
into them, and ask himself how he should perform them. But never,
in all these questionings, had he thought of himself as a banker’s
clerk--a man working for money alone, and the hope of money. It was so
strange that he did not know what to make of it. As he went on, the
other John, his former self, seemed to go with him--and which was
the real man, and which the phantom, he could not tell. All the quiet
country lifted prevailing hands, and laid hold on him as he went home.
It looked so natural--and he, what was he? But the country, too, had
changed as if in a dream. He had left it in the full blaze of June, and
now it was October, with the leaves in autumn glory, the fields reaped,
the brown stubble everywhere, and now and then in the clear blue air
the crack of a sportsman’s gun. All these things had borne a different
aspect once to John. He too had been a little of a sportsman, as was
natural; but the dog and the gun did not harmonise with the figure of a
banker’s clerk. The women on the road, who stared at him, and curtsied
to him with a smile of recognition, confused him, he could not tell
why. It was so strange that everybody should recognise him--he who did
not recognise himself.
Public-domain text, read in full here on John Shaqi.
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