John Ames, Native Commissioner: A Romance of the Matabele RisingMitford, Bertram
History
John Ames, Native Commissioner: A Romance of the Matabele Rising
Mitford, Bertram
South Africa -- Fiction; Zimbabwe -- History -- Ndebele Revolt, 1896 -- Fiction
On they come--line upon line of dark savages--advancing mostly in
silence, though now and then the hum of a marching song, as some fresh
group arrives at the place, rises upon the stillness in clear cadence.
None are armed, unless a stick apiece and a small shield can be defined
as weapons; and there is a curiously subdued note pervading the
assembly--an elated look on some of those dark faces, a thoughtful one
on others--but one of expectancy upon all.
Each party as it arrives squats upon the ground awaiting the next. And
still the tread of advancing feet, the hum of approaching voices, and
presently the open space is filled with dark humanity to the number of
several hundreds. During the period of waiting, chiefs, leaving their
own following, greet each other, and draw apart for converse among
themselves. Suddenly, and with startling nearness, there echoes forth
from a crag overhead a loud resonant bark. It is answered by another
and another. A volley of deep-voiced ejaculation, first startled--for
their feelings are wrought up--then mirthful, arises from scores of
throats. A troop of baboons has discovered this human concourse, and,
secure in a lofty vantage ground, is vocally resenting its presence.
But such levity is promptly checked by a sense of the serious nature of
the gathering. It is clear that all are assembled who mean to come.
And now the gloom lightens with amazing rapidity, as the broad disc of a
full moon sails majestically forth above the jumble of serrated crags;
and to it turns that sea of wild dark faces stamped with an unwonted
expectation and awe, for as yet the bulk of those present have but a dim
idea of the end and object of this mysterious convention.
In the lamplike glow of this new light faces are clearly discernible,
and amid the group of chiefs are those of Madula, and Zazwe, and
Sikombo, and Umlugula, and several others holding foremost rank among
their tribesmen. On this occasion, however, they are not foremost, for
it is upon another group that the main interest and expectation centres.
The members of this are decked out in the weird array of sorcerers, are
hung around with entrails and claws, mysterious bunches of "charms,"
white cowhair and feather adornments, and the grinning skulls of wild
animals. One alone is destitute of all ornamentation, but the grim
hawk-like countenance, the snaky ferocity of the cruel stare, the lithe
stealthiness of movement, stamps this man with an individuality all his
own, and he is none other than Shiminya. These are the "Abantwana
'Mlimo," the hierarchy of the venerated Abstraction, the "Children of
Umlimo." Of them there are perhaps two score. They are seated in a
circle, droning a song, or rather a refrain, and, in the midst, Shiminya
walks up and down discanting. The chiefs occupy a subsidiary place
to-night, for the seat of the oracle is very near, and these are the
mouthpieces of the oracle.
Public-domain text, read in full here on John Shaqi.
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