John Brown: A Retrospect: Read before The Worcester Society of Antiquity, Dec. 2, 1884.Roe, Alfred S. (Alfred Seelye)
History
John Brown: A Retrospect: Read before The Worcester Society of Antiquity, Dec. 2, 1884.
Roe, Alfred S. (Alfred Seelye)
Brown, John, 1800-1859
The _New York Tribune_ of December 3d said, and I can believe that
Greeley himself wrote the words: "John Brown, dead, will live in
millions of hearts, will be discussed around the homely hearth of
Toil, and dreamed of on the couch of Poverty.... Yes, John Brown,
dead, is verily a power like Samson in the falling temple of Dagon,
like Ziska, dead, with his skin stretched over a drum head still
routing the foe he bravely fought while living." The _New York Herald_
of the same date, voicing the sentiment of those who actively or
passively upheld slavery, alludes to the Hero as "Old John Brown, the
culprit, hanged for murder," etc., and states that the South was
correct. The _Boston Courier_ wishes Governor Banks to ask the
Legislature to make an appropriation of $40,000 to assist Virginia in
paying the bills incident to the Trial. If I am not mistaken, it was
this same Courier's editor, one Homer by name, who, some years before,
had placarded the city to excite a riot against Thompson, the English
Emancipationist, and who had been largely instrumental in fostering
trouble for Garrison and Phillips.
If we only knew that we were prophesying at the time! Little did the
Tribune writer think that his allusion to Ziska would prove almost
literally true. In two years from the death of John Brown the Twelfth
Regiment of Massachusetts Volunteers, the Fletcher Webster Regiment,
marched down the streets of Boston to the words:
"John Brown's body lies a moldering in the grave,"
and like magic the whole Union Army took it up, nay more, those who
stood behind the army, young and old. Men and women sung it from Maine
to California. No one knows who wrote it--it was unwritten. It was the
popular idea, inspired by God, given vocal expression. There was
nothing to learn about it. Everybody knew it before he heard it. Once
raised the tune was chanted till the war was over, and its mission
accomplished. It closed not then; for to-day, after our lapse of a
quarter of a century, it is the tune of all others that fires the
Nation's heart. Ziska's drum head is immortal. Early in the War a
large prize was offered for competition, to those who would try to
write a National Hymn. True, we had "America," but it was sung to the
tune of "God save the King or Queen." "The Star Spangled Banner," but
it ran so high that few attempted it. "Red, White and Blue," and "Hail
Columbia"; but they were not adapted to the popular demands. A
National Hymn was demanded, and a committee of meritorious gentlemen
gravely sat down to decide on the merits of more than five bushels of
poems. Twelve hundred poetasters had sent in their lucubrations, over
three hundred of these sending music also, and what came of it?
Nothing, of course. Lowell can write an ode that will make our cheeks
tingle. Bayard Taylor has written them that exalted us with pride; but
neither of these men, nor any other, could sit down and in repose--in
cold blood as it were--write a National Hymn. What was wanted was
Public-domain text, read in full here on John Shaqi.
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