John Bull, Junior; or, French as She is TraducedO'Rell, Max
General
John Bull, Junior; or, French as She is Traduced
O'Rell, Max
French language -- Study and teaching
THE "GENUS" BOY.--THE ONLY ONE I OBJECT TO.--WHAT BOYS WORK FOR.
Boys lose their charm when they get fifteen or sixteen years of age.
The clever ones, no doubt, become more interesting to the teacher, but
they no longer belong to the _genus_ boy that you love for his very
defects as much as for his good qualities.
I call "boys" that delightful, lovable race of young scamps from eleven
to fourteen years old. At that age all have redeeming points, and all
are lovable. I never objected to any, except perhaps to those who aimed
at perfection, especially the ones who were successful in their
efforts.
For my part, I like a boy with a redeeming fault or two.
By "boys" I mean little fellows who manage, after a game of football,
to get their right arm out of order, that they may be excused writing
their exercises for a week or so; who do not work because they have an
examination to prepare, but because you offer them an inducement to do
so, whether in the shape of rewards, or maybe something less pleasant
you may keep in your cupboard.
V.
SCHOOL BOYS I HAVE MET.--PROMISING BRITONS.--SLY-BOOTS.--TOO GOOD FOR
THIS WORLD.--"NO, THANKS, WE MAKES IT."--FRENCH DICTIONARIES.--A
NAUGHTY BOY.--MOTHERS' PETS.--DIRTY BUT BEAUTIFUL.--JOHN BULLY.--HIGH
COLLARS AND BRAINS.--DICTATION AND ITS TRIALS.--NOT TO BE TAKEN
IN.--UNLUCKY BOYS.--THE USE OF TWO EARS.--A BOY WITH ONE IDEA.--MASTER
WHIRLIGIG.--THE INFLUENCE OF ATHLETICS.--A GOOD SITUATION.--A SHREWD
BOY OF BUSINESS.--MASTER ALGERNON CADWALADR SMYTH, AND OTHER TYPICAL
SCHOOLBOYS.
Master Johnny Bull is a good little boy who sometimes makes slips in
his exercises, but mistakes--never.
He occasionally forgets his lesson, but he always "knows" it.
"Do you know your lesson?" you will ask him.
"Yes, sir," he will reply.
"But you can't say it."
"Please, sir, I forget it now."
Memory is his weak point. He has done his best, whatever the result may
be. Last night he knew his lesson perfectly; the proof is that he said
it to his mother, and that the excellent lady told him he knew it very
well. Again this morning, as he was in the train coming to school, he
repeated it to himself, and he did not make one mistake. He knows he
didn't.
* * * * *
If he has done but two sentences of his home work, "he is afraid" he
has not quite finished his exercise.
"But, my dear boy, you have written but two sentences."
"Is that all?" he will inquire.
"That is all."
"Please, sir, I thought I had done more than that." And he looks at it
on all sides, turns it to the right, to the left, upside down; he reads
it forwards, he reads it backwards. No use; he can't make it out.
All at once, however, he will remember that he had a bad headache last
night, or maybe a bilious attack.
The bilious attack is to the English schoolboy what the _migraine_ is
to the dear ladies of France: a good maid-of-all-work.
* * * * *
Public-domain text, read in full here on John Shaqi.
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