Civil engineers -- Drama; English drama (Comedy); Ireland -- Drama; Real estate development -- Drama
DOYLE [sitting down again, vanquished]. Thomas Broadbent: I
surrender. The poor silly-clever Irishman takes off his hat to
God's Englishman. The man who could in all seriousness make that
recent remark of yours about Home Rule and Gladstone must be
simply the champion idiot of all the world. Yet the man who could
in the very next sentence sweep away all my special pleading and
go straight to the heart of my motives must be a man of genius.
But that the idiot and the genius should be the same man! how is
that possible? [Springing to his feet] By Jove, I see it all now.
I'll write an article about it, and send it to Nature.
BROADBENT [staring at him]. What on earth--
DOYLE. It's quite simple. You know that a
caterpillar--
BROADBENT. A caterpillar!!!
DOYLE. Yes, a caterpillar. Now give your mind to what I am going
to say; for it's a new and important scientific theory of the
English national character. A caterpillar--
BROADBENT. Look here, Larry: don't be an ass.
DOYLE [insisting]. I say a caterpillar and I mean a caterpillar.
You'll understand presently. A caterpillar [Broadbent mutters a
slight protest, but does not press it] when it gets into a tree,
instinctively makes itself look exactly like a leaf; so that both
its enemies and its prey may mistake it for one and think it not
worth bothering about.
BROADBENT. What's that got to do with our English national
character?
DOYLE. I'll tell you. The world is as full of fools as a tree is
full of leaves. Well, the Englishman does what the caterpillar
does. He instinctively makes himself look like a fool, and eats
up all the real fools at his ease while his enemies let him alone
and laugh at him for being a fool like the rest. Oh, nature is
cunning, cunning! [He sits down, lost in contemplation of his
word-picture].
BROADBENT [with hearty admiration]. Now you know, Larry, that
would never have occurred to me. You Irish people are amazingly
clever. Of course it's all tommy rot; but it's so brilliant, you
know! How the dickens do you think of such things! You really
must write an article about it: they'll pay you something for it.
If Nature won't have it, I can get it into Engineering for you: I
know the editor.
DOYLE. Let's get back to business. I'd better tell you about Nora
Reilly.
BROADBENT. No: never mind. I shouldn't have alluded to her.
DOYLE. I'd rather. Nora has a fortune.
BROADBENT [keenly interested]. Eh? How much?
DOYLE. Forty per annum.
BROADBENT. Forty thousand?
DOYLE. No, forty. Forty pounds.
BROADBENT [much dashed.] That's what you call a fortune in
Rosscullen, is it?
DOYLE. A girl with a dowry of five pounds calls it a fortune in
Rosscullen. What's more 40 pounds a year IS a fortune there; and
Nora Reilly enjoys a good deal of social consideration as an
heiress on the strength of it. It has helped my father's
household through many a tight place. My father was her father's
agent. She came on a visit to us when he died, and has lived with
us ever since.
Public-domain text, read in full here on John Shaqi.
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