Civil engineers -- Drama; English drama (Comedy); Ireland -- Drama; Real estate development -- Drama
BROADBENT. Don't unpack. Just take out the things I've worn; and
put in clean things.
HODSON [appearing at the bedroom door] Yes sir. [He turns to go
back into the bedroom.
BROADBENT. And look here! [Hodson turns again]. Do you remember
where I put my revolver?
HODSON. Revolver, sir? Yes sir. Mr Doyle uses it as a
paper-weight, sir, when he's drawing.
BROADBENT. Well, I want it packed. There's a packet of cartridges
somewhere, I think. Find it and pack it as well.
HODSON. Yes sir.
BROADBENT. By the way, pack your own traps too. I shall take you
with me this time.
HODSON [hesitant]. Is it a dangerous part you're going to, sir?
Should I be expected to carry a revolver, sir?
BROADBENT. Perhaps it might be as well. I'm going to Ireland.
HODSON [reassured]. Yes sir.
BROADBENT. You don't feel nervous about it, I suppose?
HODSON. Not at all, sir. I'll risk it, sir.
BROADBENT. Have you ever been in Ireland?
HODSON. No sir. I understand it's a very wet climate, sir. I'd
better pack your india-rubber overalls.
BROADBENT. Do. Where's Mr Doyle?
HODSON. I'm expecting him at five, sir. He went out after lunch.
BROADBENT. Anybody been looking for me?
HODSON. A person giving the name of Haffigan has called twice to-day, sir.
BROADBENT. Oh, I'm sorry. Why didn't he wait? I told him to wait
if I wasn't in.
HODSON. Well Sir, I didn't know you expected him; so I thought it
best to--to--not to encourage him, sir.
BROADBENT. Oh, he's all right. He's an Irishman, and not very
particular about his appearance.
HODSON. Yes sir, I noticed that he was rather Irish....
BROADBENT. If he calls again let him come up.
HODSON. I think I saw him waiting about, sir, when you drove up.
Shall I fetch him, sir?
BROADBENT. Do, Hodson.
HODSON. Yes sir [He makes for the outer door].
BROADBENT. He'll want tea. Let us have some.
HODSON [stopping]. I shouldn't think he drank tea, sir.
BROADBENT. Well, bring whatever you think he'd like.
HODSON. Yes sir [An electric bell rings]. Here he is, sir. Saw
you arrive, sir.
BROADBENT. Right. Show him in. [Hodson goes out. Broadbent gets
through the rest of his letters before Hodson returns with the
visitor].
HODSON. Mr Affigan.
Haffigan is a stunted, shortnecked, smallheaded, redhaired man of
about 30, with reddened nose and furtive eyes. He is dressed in
seedy black, almost clerically, and might be a tenth-rate
schoolmaster ruined by drink. He hastens to shake Broadbent's
hand with a show of reckless geniality and high spirits, helped
out by a rollicking stage brogue. This is perhaps a comfort to
himself, as he is secretly pursued by the horrors of incipient
delirium tremens.
HAFFIGAN. Tim Haffigan, sir, at your service. The top o the
mornin to you, Misther Broadbent.
BROADBENT [delighted with his Irish visitor]. Good afternoon, Mr
Haffigan.
TIM. An is it the afthernoon it is already? Begorra, what I call
the mornin is all the time a man fasts afther breakfast.
BROADBENT. Haven't you lunched?
Public-domain text, read in full here on John Shaqi.
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