Civil engineers -- Drama; English drama (Comedy); Ireland -- Drama; Real estate development -- Drama
KEEGAN. It's not nonsense at all: it's true--in a way. But never
mind the black man. Now that you know what a travelled man I am,
what can I do for you? [She hesitates and plucks nervously at the
heather. He stays her hand gently]. Dear Miss Nora: don't pluck
the little flower. If it was a pretty baby you wouldn't want to
pull its head off and stick it in a vawse o water to look at.
[The grasshopper chirps: Keegan turns his head and addresses it
in the vernacular]. Be aisy, me son: she won't spoil the
swing-swong in your little three. [To Nora, resuming his urbane
style] You see I'm quite cracked; but never mind: I'm harmless.
Now what is it?
NORA [embarrassed]. Oh, only idle curiosity. I wanted to know
whether you found Ireland--I mean the country part of Ireland, of
course--very small and backwardlike when you came back to it from
Rome and Oxford and all the great cities.
KEEGAN. When I went to those great cities I saw wonders I had
never seen in Ireland. But when I came back to Ireland I found
all the wonders there waiting for me. You see they had been there
all the time; but my eyes had never been opened to them. I did
not know what my own house was like, because I had never been
outside it.
NORA. D'ye think that's the same with everybody?
KEEGAN. With everybody who has eyes in his soul as well as in his
head.
NORA. But really and truly now, weren't the people rather
disappointing? I should think the girls must have seemed rather
coarse and dowdy after the foreign princesses and people? But I
suppose a priest wouldn't notice that.
KEEGAN. It's a priest's business to notice everything. I won't
tell you all I noticed about women; but I'll tell you this. The
more a man knows, and the farther he travels, the more likely he
is to marry a country girl afterwards.
NORA [blushing with delight]. You're joking, Mr Keegan: I'm sure
yar.
KEEGAN. My way of joking is to tell the truth. It's the funniest
joke in the world.
NORA [incredulous]. Galong with you!
KEEGAN [springing up actively]. Shall we go down to the road and
meet the car? [She gives him her hand and he helps her up]. Patsy
Farrell told me you were expecting young Doyle.
NORA [tossing her chin up at once]. Oh, I'm not expecting him
particularly. It's a wonder he's come back at all. After staying
away eighteen years he can harly expect us to be very anxious to
see him, can he now?
KEEGAN. Well, not anxious perhaps; but you will be curious to see
how much he has changed in all these years.
NORA [with a sudden bitter flush]. I suppose that's all that
brings him back to look at us, just to see how much WE'VE
changed. Well, he can wait and see me be candlelight: I didn't
come out to meet him: I'm going to walk to the Round Tower [going
west across the hill].
Public-domain text, read in full here on John Shaqi.
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