Civil engineers -- Drama; English drama (Comedy); Ireland -- Drama; Real estate development -- Drama
BROADBENT. I'm bound to tell you, Miss Reilly, that Larry has not
arrived in Rosscullen yet. He meant to get here before me; but
his car broke down; and he may not arrive until to-morrow.
NORA [her face lighting up]. Is that the truth?
BROADBENT. Yes: that's the truth. [She gives a sigh of relief].
You're glad of that?
NORA [up in arms at once]. Glad indeed! Why should I be glad? As
we've waited eighteen years for him we can afford to wait a day
longer, I should think.
BROADBENT. If you really feel like that about him, there may be a
chance for another man yet. Eh?
NORA [deeply offended]. I suppose people are different in
England, Mr Broadbent; so perhaps you don't mean any harm. In
Ireland nobody'd mind what a man'd say in fun, nor take advantage
of what a woman might say in answer to it. If a woman couldn't
talk to a man for two minutes at their first meeting without
being treated the way you're treating me, no decent woman would
ever talk to a man at all.
BROADBENT. I don't understand that. I don't admit that. I am
sincere; and my intentions are perfectly honorable. I think you
will accept the fact that I'm an Englishman as a guarantee that I
am not a man to act hastily or romantically, though I confess
that your voice had such an extraordinary effect on me just now
when you asked me so quaintly whether I was making love to you--
NORA [flushing] I never thought--
BROADHHNT [quickly]. Of course you didn't. I'm not so stupid as
that. But I couldn't bear your laughing at the feeling it gave
me. You--[again struggling with a surge of emotion] you don't
know what I-- [he chokes for a moment and then blurts out with
unnatural steadiness] Will you be my wife?
NORA [promptly]. Deed I won't. The idea! [Looking at him more
carefully] Arra, come home, Mr Broadbent; and get your senses
back again. I think you're not accustomed to potcheen punch in
the evening after your tea.
BROADBENT [horrified]. Do you mean to say that I--I--I--my God!
that I appear drunk to you, Miss Reilly?
NORA [compassionately]. How many tumblers had you?
BROADBENT [helplessly]. Two.
NORA. The flavor of the turf prevented you noticing the strength
of it. You'd better come home to bed.
BROADBENT [fearfully agitated]. But this is such a horrible doubt
to put into my mind--to--to--For Heaven's sake, Miss Reilly, am I
really drunk?
NORA [soothingly]. You'll be able to judge better in the morning.
Come on now back with me, an think no more about it. [She takes
his arm with motherly solicitude and urges him gently toward the
path].
BROADBENT [yielding in despair]. I must be drunk--frightfully
drunk; for your voice drove me out of my senses [he stumbles over
a stone]. No: on my word, on my most sacred word of honor, Miss
Reilly, I tripped over that stone. It was an accident; it was
indeed.
NORA. Yes, of course it was. Just take my arm, Mr Broadbent,
while we're goin down the path to the road. You'll be all right
then.
Public-domain text, read in full here on John Shaqi.
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