John Cheap, the Chapman's Library. Vol. 1: Comic and Humorous: The Scottish Chap Literature of Last Century, ClassifiedGraham, Dougal
General
John Cheap, the Chapman's Library. Vol. 1: Comic and Humorous: The Scottish Chap Literature of Last Century, Classified
Graham, Dougal
Chapbooks, Scottish; English literature -- 18th century; Graham, Dougal, 1724-1779; Popular literature -- Scotland
THE BAGPIPER.--During the great plague of London, carts were sent
round the city each night, the drivers of which rung a bell, as
intimation for every house to bring out its dead. The bodies
were then thrown promiscuously into the cart, conveyed to the
suburbs, and buried. A piper had his constant stand at the bottom
of Holborn, near St Andrew’s Church. He became well known about
the neighbourhood. A certain gentleman, who never failed in his
generosity to the piper, was surprised, on passing one day as
usual, to miss him from his accustomed place:--upon inquiry, he
found that the poor man had been taken ill in consequence of a
very singular accident. On the joyful occasion of the arrival of
one of his countrymen from the Highlands, the piper had in fact
made too free with the contents of his keg; these so overpowered
his faculties, that he stretched himself out upon the steps of the
church, and fell fast asleep. He was found in this situation when
the dead cart went its rounds; and the carter, supposing that the
man was dead, made no scruple to put his fork under the piper’s
belt, and hoisted him into his vehicle, that our Scottish musician
should share the usual brief ceremonies of interment. The piper’s
faithful dog protested against this seizure of his master, jumped
into the cart after him, to the no small annoyance of the men,
whom he would not suffer to come near the body; he further took
upon himself the office of chief mourner, by setting up the most
lamentable howling as they passed along. The streets and roads by
which they had to go being very rough, the jolting of the cart,
added to the howling of the dog, had soon the effect of awakening
our drunken musician from his trance. It was dark; and the piper,
when he first recovered himself, could form no idea either of his
numerous companions, or his conductors. Instinctively, however, he
felt for his pipes, and playing up a merry Scottish tune, terrified
in no small measure the carters, who fancied they had got a legend
of ghosts in their conveyance. A little time, however, put all to
rights;--lights were got, and it turned out that the noisy corpse
was the well known living piper, who was joyfully released from his
awful and perilous situation. The poor man fell badly ill after
his unpleasant excursion, and was relieved during his malady by
his former benefactor, who, to perpetuate the remembrance of so
wonderful an escape, resolved, as soon as his patient recovered, to
employ a sculptor to execute him in stone. The statue represents a
bagpiper in a sitting posture, playing on his pipes.
Public-domain text, read in full here on John Shaqi.
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