John Greenleaf Whittier: His Life, Genius, and WritingsKennedy, William Sloane
General
John Greenleaf Whittier: His Life, Genius, and Writings
Kennedy, William Sloane
Abolitionists -- United States -- Biography; Poets, American -- 19th century -- Biography; Whittier, John Greenleaf, 1807-1892
No prettier, quieter, lovelier lake than Kenoza exists,--a pure and
spotless mirror, reflecting in its cool, translucent depths the rosy
clouds of morning and of evening, the silver-azure tent of day, the
gliding boat, the green meadow-grasses, and the massy foliage of the
terraced pines and cedars that sweep upward from its waters in stately
pomp, rank over rank, to meet the sky. Here, in one quarter of the lake,
the surface is only wrinkled by the tiniest wavelets or crinkles;
yonder, near another portion of its irregularly picturesque shore, a
thousand white sun-butterflies seem dancing on the surface, and the
loveliest wind-dapples curve and gleam. Along the shore are sweet wild
roses interpleached, and flower-de-luce, and yellow water-lilies. In
such a circular earth-bowl the faintest sounds are easily heard across
the water. Far off you hear the cheery cackle of a hen; in the meadows
the singing of insects, the chattering of blackbirds, and the cry of the
peewee; and the ring of the woodman's axe floats in rippling echoes over
the water.
In one of his earlier essays Mr. Whittier tells the following romantic
story: "Whoever has seen Great Pond, in the East Parish of Haverhill,
has seen one of the very loveliest of the thousand little lakes or ponds
of New England. With its soft slopes of greenest verdure--its white and
sparkling sand-rim--its southern hem of pine and maple, mirrored with
spray and leaf in the glassy water--its graceful hill-sentinels round
about, white with the orchard-bloom of spring, or tasselled with the
corn of autumn--its long sweep of blue waters, broken here and there by
picturesque headlands,--it would seem a spot, of all others, where
spirits of evil must shrink, rebuked and abashed, from the presence of
the beautiful. Yet here, too, has the shadow of the supernatural
fallen. A lady of my acquaintance, a staid, unimaginative church-member,
states that a few years ago she was standing in the angle formed by two
roads, one of which traverses the pond-shore, the other leading over the
hill which rises abruptly from the water. It was a warm summer evening,
just at sunset. She was startled by the appearance of a horse and cart
of the kind used a century ago in New England, driving rapidly down the
steep hillside, and crossing the wall a few yards before her, without
noise or displacing of a stone. The driver sat sternly erect, with a
fierce countenance; grasping the reins tightly, and looking neither to
the right nor the left. Behind the cart, and apparently lashed to it,
was a woman of gigantic size, her countenance convulsed with a blended
expression of rage and agony, writhing and struggling, like Laocoon in
the folds of the serpent." The mysterious cart moved across the street,
and disappeared at the margin of the pond.
Public-domain text, read in full here on John Shaqi.
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