In "Snow-Bound," too, we learn that the good mother often stayed her step to express a warm word of gratitude for their own comforts, and to hope that the unfortunate might be cared for also. It is a facetious saying in Philadelphia that beggars are shipped to that city from all parts of the country that they may share the never-failing bounty of the Quakers. However this may be, it is evident that benevolence was the predominant trait in the character of our poet's mother. * * * * * Other members of the household in Whittier's boyhood were his elder sister Mary, who died in 1861; Uncle Moses Whittier, who in 1824 received fatal injuries from the falling of a tree which he was cutting down; the poet's younger brother Matthew, who was born in 1812, and has been for many years a resident of Boston,--himself a versifier, and a contributor to the newspapers of humorous dialect articles, signed "Ethan Spike, from Hornby"; and finally the aunt, Mercy E. Hussey, the younger sister Elizabeth, and occasionally the "half-welcome" eccentric guest, Harriet Livermore. Elizabeth Hussey Whittier--the younger sister and intimate literary companion of her brother, the poet--was a person of rare and saintly nature. In the little parlor of the Amesbury home there hangs a crayon sketch of her. The face wears a smile of unfailing sweetness and patience. That her literary and poetical accomplishments were of an unusually high order is shown by the poems of hers appended to Mr. Whittier's "Hazel Blossoms," published after her death. Her poem, "Dr. Kane in Cuba," would do honor to any poet. In the piece entitled the "Wedding Veil," we have a hint of an early love transformed by the death of its object into a spiritual worship and hope, nourished in the still fane of the heart. In the prefatory note to "Hazel Blossoms," Mr. Whittier says: "I have ventured, in compliance with the desire of dear friends of my beloved sister, Elizabeth H. Whittier, to add to this little volume the few poetical pieces which she left behind her. As she was very distrustful of her own powers, and altogether without ambition for literary distinction, she shunned everything like publicity, and found far greater happiness in generous appreciation of the gifts of her friends than in the cultivation of her own. Yet it has always seemed to me that, had her health, sense of duty and fitness, and her extreme self-distrust permitted, she might have taken a high place among lyrical singers. These poems, with perhaps two or three exceptions, afford but slight indications of the inward life of the writer, who had an almost morbid dread of spiritual and intellectual egotism, or of her tenderness of sympathy, chastened mirthfulness, and pleasant play of thought and fancy, when her shy, beautiful soul opened like a flower in the warmth of social communion. In the lines on Dr. Kane, her friends will see