John Greenleaf Whittier: His Life, Genius, and WritingsKennedy, William Sloane
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John Greenleaf Whittier: His Life, Genius, and Writings
Kennedy, William Sloane
Abolitionists -- United States -- Biography; Poets, American -- 19th century -- Biography; Whittier, John Greenleaf, 1807-1892
Whittier was twenty-four years old when he published his first volume.
It is a thin little book entitled "Legends of New England" (Hartford:
Hanmer and Phelps, 1831), and is a medley of prose and verse. The style
is juvenile and extravagantly rhetorical, and the subject-matter is far
from being massive with thought. The libretto has been suppressed by
its author, and it would be ungracious as well as unjust to criticise it
at any length, or quote more than a single morsel of its verses, which
are inferior to the prose. But one may be pardoned for giving two or
three specimens of the prose stories, for they are intrinsically
interesting. In the preface we have a striking passage, which may be
commended to those who accuse Whittier of hatred of the Puritan fathers,
and undue partiality toward the Quakers. He says: "I have in many
instances alluded to the superstition and bigotry of our ancestors, the
rare and bold race who laid the foundation of this republic; but no one
can accuse me of having done injustice to their memories. A son of New
England, and proud of my birthplace, I would not willingly cast dishonor
upon its founders. My feelings in this respect have already been
expressed in language which I shall be pardoned, I trust, for
introducing in this place:--
Oh!--never may a son of thine,
Where'er his wandering steps incline,
Forget the sky which bent above
His childhood like a dream of love,
The stream beneath the green hill flowing,
The broad-armed tree above it growing,
The clear breeze through the foliage blowing;
Or hear unmoved the taunt of scorn,
Breathed o'er the brave New England born;
Or mark the stranger's jaguar hand
Disturb the ashes of thy dead--
The buried glory of a land
Whose soil with noble blood is red,
And sanctified in every part,
Nor feel resentment, like a brand,
Unsheathing from his fiery heart!"
The flow of language in these prose pieces is smooth and easy, and the
narratives are in the same vein and style as the "Twice Told Tales," or
Irving's stories, only they are very much weaker than these, and more
extravagant and melodramatic in tone. "The Midnight Attack" describes
the adventure of Captain Harmon and thirty Eastern rangers on the banks
of the Kennebec River in June, 1722. A party of sleeping Indians are
surprised by them and all shot dead by one volley of balls. An idea of
the style of the piece will be obtained from the following paragraphs.
The men are waiting for the signal of Harmon:--
"'Fire!' he at length exclaimed, as the sight of his piece
interposed full and distinct between his eye and the wild
scalp-lock of the Indian. 'Fire, and rush on!'
"The sharp voice of thirty rifles thrilled through the heart of the
forest. There was a groan--a smothered cry--a wild and convulsive
movement among the sleeping Indians; and all again was silent.
Public-domain text, read in full here on John Shaqi.
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