John Greenleaf Whittier: His Life, Genius, and WritingsKennedy, William Sloane
General
John Greenleaf Whittier: His Life, Genius, and Writings
Kennedy, William Sloane
Abolitionists -- United States -- Biography; Poets, American -- 19th century -- Biography; Whittier, John Greenleaf, 1807-1892
In the summer, as you ascend the carriage-road that winds through the
grounds, your eye is captured by the rare beauty of the scene. Yonder is
a tall living wall of verdure, with an archway cut through it. To the
left the grounds sweep gently down to a deep ravine, where a little
rivulet, named Beaver Brook, creeps leisurely out and winds seaward
through green and marish meadows. It is in this portion of the grounds
that the fine oak-trees grow which give to the place its name. Here,
too, is a large grove of pines, with numerous seats within it. There are
trees and trees at Oak Knoll,--smooth and shapely hickories, glistering
chestnuts with cool foliage, maples, birches, and the purple beech. Add
to the picture the rural accessories of bee-haunted clover-fields, apple
and pear orchards, and beds of tempting strawberries. The house is of
wood, salmon-colored, with tall porches on each side, up-propped by
stately Doric columns. In front, with wide sweep of closely cropped
grass intervening, is the magnificent Norway spruce that Oliver Wendell
Holmes, a year or two before Mr. Whittier's death, on one of those
periodical visits to his brother poet that so delighted their two souls,
named "The Poets' Pagoda." A luxuriant vine clusters about the eaves of
the house. On the long porch a mocking-bird and a canary-bird fill the
green silence with gushes of melody, and near at hand, in his study in
the wing of the building, sits one with a singing pen and listens to
their song. To their song and to the murmur of the tall pines by his
window he listens, then looks into his heart and writes,--this
sweet-souled magician,--and craftily imprisons between the covers of his
books, echoes of bird and tree music, bits of blue sky, glimpses of
green landscape, winding rivers, and idyls of the snow,--all suffused
and interfused with a glowing atmosphere of human and divine love, such
as the poet found in this home of his choosing at Oak Knoll. It will not
perhaps be intruding upon the privacies of home to say that the members
of the cultured household at Oak Knoll ever, found in their happy
circle, their highest pleasure in ministering to all needs, social or
otherwise, of their loved cousin the poet. Three sisters dispense the
hospitalities of the house, and a young daughter of Mrs. Woodman's adds
the charm of girlhood to the family life.
* * * * *
Readers of Whittier, who know how deeply his writings are tinged with
the scenery, legendary lore and folk-life of his native Merrimack
Valley, will not wonder that a certain _Heimweh_, or home-sickness,
draws him northward, when
"Flows amain
The surge of summer's beauty."
and
"Pours the deluge of the heat
Broad northward o'er the land."
Public-domain text, read in full here on John Shaqi.
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