"When the far-off dust-cloud To plaided legions grew, Full tenderly and blithesomely The pipes of rescue blew!" Another group of ballads comprises "Cobbler Keezar's Vision," "Amy Wentworth," and "The Countess." In the first of these, old Cobbler Keezar, of the early Puritan times, by virtue of a mystic lapstone, sees a vision of our age of religious tolerance, and wonders greatly thereat:-- "Keezar sat on the hillside Upon his cobbler's form, With a pan of coals on either hand To keep his waxed-ends warm. And there, in the golden weather, He stitched and hammered and sung; In the brook he moistened his leather, In the pewter mug his tongue." The ballad of "Amy Wentworth" treats of the same subject as "Among The Hills," namely, a superior woman, of the white-handed caste, falling in love with and marrying a broad-shouldered, brown-handed hero, with a right manly heart and brain. Many and many a poem of Whittier's is spoiled by its too great length,--a thing that is fatal in a lyric. The long prelude to "Amy Wentworth" should have been omitted. * * * * * The scene of the lovely poem entitled "The Countess" is laid in Rocks Village, a part of East Haverhill, and lying on the Merrimack, where-- "The river's steel-blue crescent curves To meet, in ebb and flow, The single broken wharf that serves For sloop and gundelow. With salt sea-scents along its shores The heavy hay-boats crawl, The long antennae of their oars In lazy rise and fall. Along the gray abutment's wall The idle shad-net dries; The toll-man in his cobbler's stall Sits smoking with closed eyes." Whittier dedicates his poem to his father's family physician, Elias Weld, of Rocks Village. The story which forms the subject of the poem is a romantic one, and exquisitely has our poet embalmed it in verse. From a sketch by Rebecca I. Davis, of East Haverhill, the following facts relating to the personages that figure in the poem have been culled:--