John Gutenberg, First Master Printer: His Acts and Most Remarkable Discourses and his Death — John Shaqi
John Gutenberg, First Master Printer: His Acts and Most Remarkable Discourses and his DeathDingelstedt, Franz von
History
John Gutenberg, First Master Printer: His Acts and Most Remarkable Discourses and his Death
Dingelstedt, Franz von
Gutenberg, Johann, 1397?-1468 -- Fiction
Gutenberg found this out ere long. In the year of our Lord 1460,
seeing his _Katholicon_, finished, before him, he examined it, and as
he compared in his mind the meagre, ill-formed characters with the
beautiful type of the _Psalter_ of Fust and Schoeffer, his soul was
bowed down with an overwhelming sense of inferiority, and on that
account he omitted to put his name in great letters at the end of his
work, as the others had done. He contented himself with adding on
the last page the following modest postscript:--“_This book has been
printed with the assistance of the Most High, who by one stroke of
His hand opens the mouths of babes, and who often deigns to reveal to
the humble that which He hides from the wise._” Then he added--“_The
whole was executed in the good city of Maïence, which forms a part
of the glorious German nation, which it has pleased the goodness of
God to distinguish by the light of His spirit, and the gift of His
grace, above many other nations of the earth._” A pious and touching
record from a son to his adoptive mother! grander, and above all more
patriotic than that Roman pride which forbid that even after death the
mortal remains should be restored to an ungrateful country!
If the Syndic reproached Gutenberg with making an unnecessary mystery
of his labours, the effort being useless, herein lay the cause.
Gutenberg had always professed that he never would make a trade of his
art. “Have I then,” said he, “created a new corporation, among the many
others, only that I may see the ancient escutcheon of my ancestors
suspended side by side with the vulgarest ensigns at the doors of
taverns, and of abbeys? My art belongs to me as much as to the rest
of the world; let it remain the property of intelligence, and only be
practised by those who have been initiated in it. Let others, if they
will, place themselves on a rank with the tailor, who cuts my doublet,
and the shoemaker, who sews the leather of my shoes, what I require is
something above that--it is the constant improvement of my art, it is
an independent labour, for which neither my name nor my ancestors need
blush.”
Public-domain text, read in full here on John Shaqi.
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