John Gutenberg, First Master Printer: His Acts and Most Remarkable Discourses and his Death — John Shaqi
John Gutenberg, First Master Printer: His Acts and Most Remarkable Discourses and his DeathDingelstedt, Franz von
History
John Gutenberg, First Master Printer: His Acts and Most Remarkable Discourses and his Death
Dingelstedt, Franz von
Gutenberg, Johann, 1397?-1468 -- Fiction
These were the grave matters which pre-occupied the mind of the
Burgomaster of Maïence, the great Jacob Fust, and left him but little
leisure to think of anything but his cares at the wedding of his niece
Christine. Did a noisy _vivat_ make itself heard at the lower end
of the table, was a joyous song resounding, near the entrance door,
in honour of the newly-married couple, the Burgomaster would raise
himself anxiously on his great carved oaken arm-chair, and, commanding
silence, exclaim, throwing his head back, “These are sad times in
which we live;” and his brother the printer would echo his words,
throwing back his head in like manner. As for the bridegroom he was in
the height of good humour, for the pre-occupations of his uncle the
Burgomaster affected him but very slightly. “Eh! what then,” said he
to the assembled guests, “are we not here in our free city of Maïence,
under the protection of the pastoral staff of His Grace our Archbishop,
whom may God protect? Let my Lord of Nassau intrigue, and cabal as he
will, as long as the Rhine flows between him and us, as long as our
good walls defend us, we may laugh at his Grace; and moreover our art,
our beautiful art, does it not flourish more and more every year? Have
we not five good presses in the workshop? Have we not fifty vigorous
arms employed in our service? Come, come, my gracious uncle, come,
worthy father, put away your fears, and your scruples; fill up your
glasses, and second me when I drink to ‘the noble art of printing,’
with ‘three times three.’”
The guests responded to this appeal, and the noise of the _vivat_ had
scarcely subsided when a great disturbance was heard on the stairs
adjoining the banquet-room, and a confusion of voices and footsteps,
which seemed to indicate a quarrel. The host was about to rise and
go in person to the spot from whence the noise proceeded, to call
the disputants to order, when the door was suddenly thrown open. On
the threshold appeared two workmen, dragging a third individual by
his arms, and who, to judge from his age and appearance, was only an
apprentice; “Look, master,” said the eldest of the men, “here is a
fellow who dares to disturb your festival by coming even into your
house to abuse your art, and your noble trade.” “Yes, it is true,”
continued the second workman, “but it shall not be permitted, were I
never again to touch a type, or the cheek of a pretty maiden!”
“It is the Strasburger who lies!” exclaimed the young boy, making
vigorous efforts to free himself from the gripe of his accusers. “I
said not a word against you or your art; it is they, on the contrary,
who slandered your son-in-law, and even your daughter dame Christine;
and you see, master, that was more than I could bear, so my French
blood rebelled.” “Let peace be in this house,” replied Fust, in a
commanding tone; “and you Strasburger, who are the eldest, you speak
first, and let go your hold of the Parisian!”
Public-domain text, read in full here on John Shaqi.
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