John Gutenberg, First Master Printer: His Acts and Most Remarkable Discourses and his DeathDingelstedt, Franz von
History
John Gutenberg, First Master Printer: His Acts and Most Remarkable Discourses and his Death
Dingelstedt, Franz von
Gutenberg, Johann, 1397?-1468 -- Fiction
“I shall go of my own accord, and alone,” said the little Parisian,
grumbling, “as soon as these German fists have loosened their hold of
me, not before. Yes, I shall go straight to Master Gutenberg, and if
he has no work to give me at his presses, well, I would rather untie
for him the strings of his shoes, than remain any longer in a house
where one is forbidden to speak out one’s thoughts in liberty. You,
Fust, you, Schoeffer, what would you be without that Gutenberg, whom
you have robbed of his goods! O, cursed be the false, the inhospitable
threshold! And you who live under this roof, take care lest the
hymeneal torch lighted this day change not into a burning flambeau,
which shall swallow up, under its wings of flame, the ruins of your
ill-gotten wealth!”
During this allocution, uttered with all the earnestness of passion,
the two workmen had dragged the boy towards the door, resisting all
the way. One kick, and he rolled down the staircase, carrying with
him the Frankforter and the Strasburger. Schoeffer shut the door on
the disputants, reconducted Christine, with much care and solicitude,
to her arm-chair, tried to calm his father-in-law, and succeeded in
restoring, at least, an appearance of calm to the festival, and to the
guests, who had been first surprised, and then alarmed, at this scene.
CHAPTER II.
_What John Gutenberg, Master printer, said, and what he did,
while Peter Schoeffer was taking to wife the demoiselle
Christine; all which should interest the reader._
If you have not been spoiled, reader, by the sight of the fine rooms of
Messrs. Brockhaus and Hadnel, those _coryphées_ of the present day of
the art of typography, who draw off their books on Stanhope presses,
in frames of highly polished wood, fastened with bright iron screws,
perhaps you will not feel any repugnance to follow me into the low dark
abode to which I am about to introduce you. We enter. The night is mild
and beautiful, the moon’s silvery beams rest gently on the undulations
of the eternally flowing Rhine, a light breeze trembles through the
vine leaves, the deep shadows of the houses conceal here and there
the streets of old Maïence. But why should we occupy ourselves with
such matters? Did the old man with silver hair, with his head bending
over the table, and given up body and soul to his work, occupy himself
with them? Where were his workmen? They were out of doors enjoying
the beauty of the night, being rocked gently in small boats on the
river, or drinking in taverns, or standing at church doors saying soft
gallantries to their mistresses, and he the solitary, the indefatigable
workman, why did he take no rest? His inflamed eye-lids, his forehead
furrowed with wrinkles, his rounded back, showed how much he stood in
need of it.
Public-domain text, read in full here on John Shaqi.
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