John Ingerfield, and Other StoriesJerome, Jerome K. (Jerome Klapka)
General
John Ingerfield, and Other Stories
Jerome, Jerome K. (Jerome Klapka)
England -- Social life and customs -- 19th century -- Fiction; Short stories
“I have crawled upon my belly to the utmost edge of the still standing
pier, until I could feel with my hand the jagged splinters left by the
fallen planks, and have looked down. But the chasm was full to the brim
with darkness. I shouted, but the wind shook my voice into mocking
laughter. I sit here, feebly striking at the madness that is creeping
nearer and nearer to me. I tell myself the whole thing is but the fever
in my brain. The bridge was rotten. The storm was strong. The cry is
but a single one among the many voices of the mountain. Yet still I
listen; and it rises, clear and shrill, above the moaning of the pines,
above the sobbing of the waters. It beats like blows upon my skull, and
I know that she will never come again.”
_Extract from the last letter_:
“I shall address an envelope to you, and leave it among these letters.
Then, should I never come back, some chance wanderer may one day find
and post them to you, and you will know.
“My books and writings remain untouched. We sit together of a
night—this woman I call ‘wife’ and I—she holding in her hands some
knitted thing that never grows longer by a single stitch, and I with a
volume before me that is ever open at the same page. And day and night
we watch each other stealthily, moving to and fro about the silent
house; and at times, looking round swiftly, I catch the smile upon her
lips before she has time to smooth it away.
“We speak like strangers about this and that, making talk to hide our
thoughts. We make a pretence of busying ourselves about whatever will
help us to keep apart from one another.
“At night, sitting here between the shadows and the dull glow of the
smouldering twigs, I sometimes think I hear the tapping I have learnt
to listen for, and I start from my seat, and softly open the door and
look out. But only the Night stands there. Then I close-to the latch,
and she—the living woman—asks me in her purring voice what sound I
heard, hiding a smile as she stoops low over her work; and I answer
lightly, and, moving towards her, put my arm about her, feeling her
softness and her suppleness, and wondering, supposing I held her close
to me with one arm while pressing her from me with the other, how long
before I should hear the cracking of her bones.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account