John Inglesant: A Romance (Volume 1 of 2)Shorthouse, J. H. (Joseph Henry)
History
John Inglesant: A Romance (Volume 1 of 2)
Shorthouse, J. H. (Joseph Henry)
Great Britain -- History -- Charles I, 1625-1649 -- Fiction; Religious fiction
During my second year at Oxford I became acquainted with a Roman
Catholic gentleman, the eldest son of a family long resident on the
borders of Shropshire towards Wales. My friend, whose name was Fisher,
invited me to his home, and early in my last long vacation I accepted
his invitation. The picturesque country was seen to great advantage in
the lovely summer weather. That part of Shropshire partakes somewhat of
the mountain characteristics of Wales, combined with the more cultivated
beauties of English rural scenery. The ranges of hills, some of which
are lofty and precipitous, which intersect the country, form wide and
fertile valleys which are watered by pleasant streams. The wide
pastures are bordered by extensive plantations covering the more gradual
ascents, and forming long lines along the level summits. We had some
miles to drive even from the small station on the diminutive branch line
of railway which had slowly conveyed us the last dozen miles or so of
our journey. At last, just at the foot of one of the long straight
hills, called Edges in that country, we came upon my friend’s house,
seen over a flat champaign of pasture land, surrounded by rows of lofty
trees, and backed by fir and other wood, reaching to the summit of the
hill behind it. It was an old and very picturesque house, jumbled
together with the additions of many centuries, from the round tower-like
staircase with an extinguisher turret, to a handsome addition of two or
three years ago. Close by was the mutilated tower of a ruined priory,
the chancel of which is used as the parish church. A handsome stone
wing of one story, built in the early Gothic style, and not long
completed, formed the entrance hall and dining-room, with a wide
staircase at the back. The hall was profusely hung with old landscapes
and family portraits. After a short introduction to my friend’s family,
we were soon assembled in the newly finished dining-room, with its stone
walls and magnificent overhanging Gothic fireplace. The dinner party
consisted of my friend’s father and mother, his two sisters, and a Roman
Catholic clergyman, the family chaplain and priest of a neighbouring
chapel which Mr. Fisher had erected and endowed. The room was hung
entirely with portraits, several of them being ecclesiastics in
different religious costumes, contrasting, to my eyes, strangely with
the gay cavaliers and the beautiful ladies of the Stuarts’ Court, and
the not less elaborately dressed portraits of the last century, and with
those of my host and hostess in the costume of the Regency. I was
struck with the portrait which happened to be opposite me, of a young
man with a tonsured head, in what appeared to me to be a very simple
monk’s dress, and I asked the Priest, a beautiful and mild-looking old
man, whom it was intended to represent.
Public-domain text, read in full here on John Shaqi.
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