John Inglesant: A Romance (Volume 1 of 2)Shorthouse, J. H. (Joseph Henry)
History
John Inglesant: A Romance (Volume 1 of 2)
Shorthouse, J. H. (Joseph Henry)
Great Britain -- History -- Charles I, 1625-1649 -- Fiction; Religious fiction
He found in little Inglesant an apt pupil, an apprehensive
and inquisitive boy, mild of spirit, and very susceptible of
fascination, strongly given to superstition and romance: of an inventive
imagination though not a retentive memory; given to day dreaming,
and,—what is more often found in children than some may think, though
perhaps they could not name it,—metaphysical speculation. The Vicar
taught his boys in the hall of his Vicarage—a large room with a porch,
and armorial bearings in the stained glass in the windows. Out of this
opened a closet or parlour where he kept his books, and in this he would
sit after school was over, writing his learned treatises, most of which
he would read to John Inglesant, some of them in latin. This, with his
readings in Plato, assisted by his eager interest, gave John, as he grew
older, a considerable acquaintance with both languages, so that he could
read most books in either of them, and turn over the remnants of the old
world learning that still remained in the Prior’s Library, with that
lazy facility which always gives a meaning, though often an incorrect
one—not always a matter of regret to an imaginative reader, as adding a
charm, and, where his own thought is happy, a beauty. Here he imbibed
that mysterious Platonic philosophy, which—seen through the reflected
rays of Christianity—becomes, as his master taught him, in some sort a
foreshadowing of it, as the innocent and heroic life of Socrates,
commended and admired by Christians as well as heathens, together with
his august death, may be thought, in some measure, to have borne the
image of Christ; and, indeed, not without some mystery of purpose, and
preparation of men for Christianity, has been so magnified among men.
Here, too, he eagerly drank in his master’s Rosicrucian theories of
spiritual existences; of the vital congruity and three several vehicles
of the soul; the terrestrial, in which the soul should be so trained
that she may stay as short a time as possible in the second or aerial,
but proceed at once to the third, the etherial, or celestial; "that
heavenly chariot, carrying us, in triumph, to the great happiness of the
soul of man." Of the aerial genii, and souls separate, and of their
converse with one another, and with mankind. Of their dress, beauty,
and outward form; of their pleasures and entertainments, from the
Divinest harmony of the higher orders, who, with voices perfectly
imitating the passionate utterance of their devout minds, melt their
souls into Divine Love, and lose themselves in joy in God; while all
nature is transformed by them to a quintessence of crystalline beauty by
the chemical power of the spirit of nature, acting on pure essences. Of
the feastings and wild dances of the lower and deeply lapsed, in whom
some sad and fantastic imitation of the higher orders is to be traced;
and of those aerial wanderers to whom poetical philosophers or
philosophical poets have given the rivers and springs—the mountains and
Public-domain text, read in full here on John Shaqi.
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