John Inglesant: A Romance (Volume 1 of 2)Shorthouse, J. H. (Joseph Henry)
History
John Inglesant: A Romance (Volume 1 of 2)
Shorthouse, J. H. (Joseph Henry)
Great Britain -- History -- Charles I, 1625-1649 -- Fiction; Religious fiction
I followed a footpath which led direct from the ruined Church near the
house, across the small park-like enclosure, into the flat meadows
beyond. The shadows of the great trees lay on the grass, the wild roses
and honeysuckle covered the hedges, a thousand butterflies fluttered
over the fields. That Sunday stillness which is, possibly, but the echo
of our own hearts, but which we fancy marks the day, especially in the
country, soothed the sense. The service in the morning had not supplied
the sacrament to me, but it had been far from being without the sense of
worship; and the quiet country in the lovely summer weather, in
connection with it, seemed to me then, as often, the nearest foretaste
we can gain of what the blissful life will be. As I went on the distant
murmur of Church bells came across the meadows, and following a footpath
for a couple of miles, I came to the Hospital or Almshouse, standing
amid rows of elms, and having a small village attached to it, built
probably since its erection. The bells which I had heard, and which
ceased a little before I reached the place, were in a curious turret or
cupola attached to the Chapel, which formed one side of the court. The
buildings were of red brick, faced with stone, in the latest style of
the Stuart architecture. The door of the Chapel was wide open, and I
entered and dropped into a seat just as the Psalms began. The room was
fitted in a style exactly corresponding to the outside; a circular
recess at the upper end took the place of chancel, lighted with three
windows, which were filled with innumerable small panes of glass. The
altar was richly draped; and on it, besides vases of flowers, were two
massive candlesticks of an antique pattern, and an old painting,
apparently of the Virgin and Child. The lower walls of the chancel and
of the whole Chapel were panelled, and the whole had a flat ceiling of
panelled oak, painted in the centre with a sun with rays. Partly in the
chancel, and partly in the Chapel, the surpliced choir was accommodated
in stalls or pews, and the organ and pulpit, in elaborate carved
mahogany, completed the interior. There was a good congregation; and
from this, and from many tablets on the walls, I gathered that the
Chapel was used by the neighbourhood as probably being nearer than the
Parish Churches. The soft afternoon light filled the place, gilding the
old brass-work, and lighting up the dark carving and the sombre narrow
pews. The music was of a very high class, deliciously sung, and I found
afterwards that there was an endowment especially for the choir, and
that the chaplains were required to be musical. The service bore
comparison favourably with the morning’s mass, and a short sermon
followed. When all was over, and the people were gone out into the
sunshine, I began to look for the tomb I had come to see, and the
chaplain, having come out of the vestry, and seeming to expect it, I
went up and spoke to him.
Public-domain text, read in full here on John Shaqi.
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