John Inglesant: A Romance (Volume 2 of 2)Shorthouse, J. H. (Joseph Henry)
History
John Inglesant: A Romance (Volume 2 of 2)
Shorthouse, J. H. (Joseph Henry)
Great Britain -- History -- Charles I, 1625-1649 -- Fiction; Religious fiction
Several of the actors who were waiting for their turn mingled with the
gentlemen, talking to their acquaintance. The strange light thrown on
the centre of the stage in which two or three figures were standing, the
multitude of dark forms in the surrounding shadow, the dim recesses of
the theatre itself full of figures, the exquisite music, now soft and
plaintive, anon gay and dance-like, then solemn and melancholy, formed a
singular and attractive whole. Lauretta had declined to come that
night, but Inglesant thought it was not improbable that the Cavaliere
would be there, and he was curious to see whether he could detect him in
company with the mysterious stranger. From the moment that he had heard
the distant voice inquiring his name, the familiar idea had again
occurred to his mind that this could be none other than the murderer of
his brother, of whom he was in search; but this thought had occurred so
often, and in connection with so many persons, that had it not been for
the fixed and peculiar glance with which the stranger had regarded him,
he would have thought little of it. He was, however, unable to
distinguish either of the persons of whom he was in search from the
crowd that filled the theatre; and his attention was so much diverted by
the constantly changing scene before him that he soon ceased to attempt
to do so. At that moment the opening movement of the overture was again
repeated by the band, and was made the theme of an elaborate variation,
in which the melancholy idea of the music was rendered in every variety
of shade by the plaintive violins. Every phase of sorrow, every form and
semblance of grief that Inglesant had ever known, seemed to float
through his mind, in sympathy with the sounds which, inarticulate to the
ear, possessed a power stronger than that of language to the mental
sense. The anticipation of coming evil naturally connected itself with
the person of Lauretta, and he seemed to see her lying dead before him
upon the lighted stage, or standing in an attitude of grief, looking at
him with wistful eyes. This last image was so strongly presented to his
imagination that it partook almost of the character of an apparition;
and before it the crowded theatre, the gaily dressed forms upon the
stage, the fantastic actors, seemed to fade, and alone on the deserted
boards the figure of Lauretta, as he had last seen it, slight and
girl-like, yet of noble bearing, stood gazing at him with wild and
apprehensive eyes. Curiously too, as his fancy dwelt upon this figure,
it saw in her hand a sealed letter fastened with a peculiarly twisted
cord.
Public-domain text, read in full here on John Shaqi.
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