John Inglesant: A Romance (Volume 2 of 2) — John Shaqi
John Inglesant: A Romance (Volume 2 of 2)Shorthouse, J. H. (Joseph Henry)
History
John Inglesant: A Romance (Volume 2 of 2)
Shorthouse, J. H. (Joseph Henry)
Great Britain -- History -- Charles I, 1625-1649 -- Fiction; Religious fiction
"You have read Don Quixote, Eminence," said Inglesant; "and no doubt
hold him to have been mad."
"He was mad, doubtless," replied the Cardinal smiling.
"I am mad, like him," replied the other.
"I understand you," said the Cardinal; "it is a noble madness, from
which we inferior natures are free; nevertheless, it may be advisable
for a time to consult some worldly physician, that by his help this
nobleness may be preserved a little longer upon earth and among men."
"No worldly physician knows the disease, much less the cure," said
Inglesant. "Don Quixote died in his bed at last, talked down by petty
common-place, acknowledging his madness, and calling his noble life a
mistake; how much more shall I, whose life has been the more ignoble for
some transient gleams of splendour which have crossed its path in vain!
The world is too strong for me, and heaven and its solution of life’s
enigma too far off."
"There is no solution, believe me," said the Cardinal, "no solution of
life’s enigma worth the reading. But suppose there be, you are more
likely to find it at Rome than here. Put off that monk’s dress, and
come with me to Rome. What solution can you hope to find, brooding on
your own heart, on this narrow plot of grass, shut in by lofty walls?
You, and natures like yours, make this great error; you are moralizing
and speculating upon what life ought to be, instead of taking it as it
is; and in the meantime it slips by you, and you are nothing, and life
is gone. I have heard, and you doubtless, in a fine concert of viols,
extemporary descant upon a thorough bass in the Italian manner, when
each performer in turn plays such variety of descant, in concordance to
the bass, as his skill and present invention may suggest to him. In
this manner of play the consonances invariably fall true upon a given
note, and every succeeding note of the ground is met, now in the unison
or octave, now in the concords, preserving the melody throughout by the
laws of motion and sound. I have thought that this is life. To a
solemn bass of mystery and of the unseen, each man plays his own descant
as his taste or fate suggests; but this manner of play is so governed
and controlled by what seems a fatal necessity, that all melts into a
species of harmony; and even the very discords and dissonances, the wild
passions and deeds of men, are so attempered and adjusted that without
them the entire piece would be incomplete. In this way I look upon life
as a spectacle, ’in theatro ludus.’ Have you sat so long that you are
tired already of the play?"
"I have read in some book,"[#] said Inglesant, "that it is not the
play—only the rehearsal. The play itself is not given till the next
life. But for the rest your Eminence is but too right. There is no
solution within my own heart, and no help within these walls."
[#] What this book is I do not know. The remark was made by Jean Paul,
in Hesperus, some hundred years after Inglesant’s day.
Public-domain text, read in full here on John Shaqi.
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