Audubon, John James, 1785-1851; Naturalists -- Biography; Scientists -- Biography
"The unconscious greatness of the man seemed only equalled by his
child-like tenderness. The sweet unity between his wife and himself, as
they turned over the original drawings of his birds, and recalled the
circumstances of the drawings, some of which had been made when she was
with him; her quickness of perception, and their mutual enthusiasm
regarding these works of his heart and hand, and the tenderness with which
they unconsciously treated each other, all was impressed upon my memory.
Ever since, I have been convinced that Audubon owed more to his wife than
the world knew, or ever would know. That she was always a reliance, often a
help, and ever a sympathising sister-soul to her noble husband, was fully
apparent to me."
One notes much of the same fire and vigour in the later portraits of
Audubon, that are so apparent in those of him in his youthful days. What a
resolute closing of the mouth in his portrait taken of him in his old
age--"the magnificent grey-haired man!"
In 1847, Audubon's mind began to fail him; like Emerson in his old age, he
had difficulty in finding the right word.
In May, 1848, Dr. Bachman wrote of him: "My poor friend Audubon! The
outlines of his beautiful face and form are there, but his noble mind is
all in ruins."
His feebleness increased (there was no illness), till at sunset, January
27, 1851, in his seventy-sixth year, the "American Woodsman," as he was
wont to call himself, set out on his last long journey to that bourne
whence no traveller returns.
V.
As a youth Audubon was an unwilling student of books; as a merchant and
mill owner in Kentucky he was an unwilling man of business, but during his
whole career, at all times and in all places, he was more than a willing
student of ornithology--he was an eager and enthusiastic one. He brought to
the pursuit of the birds, and to the study of open air life generally, the
keen delight of the sportsman, united to the ardour of the artist moved by
beautiful forms.
He was not in the first instance a man of science, like Cuvier, or Agassiz,
or Darwin--a man seeking exact knowledge; but he was an artist and a
backwoodsman, seeking adventure, seeking the gratification of his tastes,
and to put on record his love of the birds. He was the artist of the birds
before he was their historian; the writing of their biographies seems to
have been only secondary with him.
He had the lively mercurial temperament of the Latin races from which he
sprang. He speaks of himself as "warm, irascible, and at times violent."
His perceptive powers, of course, led his reflective. His sharpness and
quickness of eye surprised even the Indians. He says: "My _observatory
nerves_ never gave way."
Public-domain text, read in full here on John Shaqi.
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