John Long's journal, 1768-1782Long, J. (John), Indian trader
History
John Long's journal, 1768-1782
Long, J. (John), Indian trader
Fur trade -- Canada; Indians of North America; Indians of North America -- Languages; Ojibwa language
Having finished this long digression, I shall continue my history from
the time of going to the village of the Connecedagas, where I stayed
some months, making several excursions in scouting parties, and
frequently bringing in prisoners, which did not escape the notice of Sir
Guy Carleton, who at the next interview approved my conduct, and wished
me to serve again in his regiment. I told him I was extremely happy I
had rendered myself useful to my country, and considered myself highly
honoured by so flattering a mark of his approbation; but that the life
of a volunteer, though very honourable, would not entitle me to pay, and
there was not a vacancy in any of the British regiments: he then
appointed me a midshipman on board the ship Fell, commanded by captain
Barnsfer, lying in the river St. Laurence, in which service I continued
till she was ordered for England.
As soon as I quitted the navy, I returned to the Lake of the Two
Mountains, and continued doing my utmost, in the line of an interpreter,
and at intervals perfecting myself in the Indian languages, particularly
in the Chippeway tongue, as I purposed engaging in the service of a
merchant, to go to the north west the first convenient opportunity. I
also applied myself sedulously to obtain a complete knowledge of their
manners and customs, and with that view partook of their amusements, and
was soon noticed as a good dancer. To this {35} qualification I also
added the perfect notes of the different war whoops, as naturally as a
Savage; and by conforming to their ways, and taking pleasure in their
diversions, I was soon endeared to them, and left them with regret.
The dances among the Indians are many and various, and to each of them
there is a particular hoop.[42]
1. The calumet dance.
2. The war dance.
3. The chief’s dance.
4. The set out dance.
5. The scalp dance.
6. The dead dance.
7. The prisoner’s dance.
8. The return dance.
9. The spear dance.
10. The marriage dance.
11. The sacrifice dance.
All these I was perfect master of, frequently leading the sett. If
accidentally a stranger came among us, (unless I chose to be noticed) no
one could distinguish me from the Indians.
Presuming on my appearing exactly like a Savage, I occasionally went
down in a canoe to Montreal, and frequently passed the posts as an
Indian. Sometimes I would distinguish myself at a charivari, which is a
custom that prevails in different parts of Canada, of assembling with
old pots, kettles, &c. and beating them at the doors of new married
people; but generally, either when the man is older than the woman, or
the parties have been twice married: in those cases they beat a
charivari, hallooing out very vociferously, until the man is obliged to
obtain their silence by pecuniary contribution, or submit to be {36}
abused with the vilest language. Charivari, in French, means a paltry
kind of music, which I suppose is the origin of the custom.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account