Lyly, John, 1554?-1606 -- Criticism and interpretation
I have said that it is very important to distinguish between the two
parts of _Euphues_. Two years only elapsed between their respective
publications, but in these two years Lyly, and with him our novel, had
made great strides. In 1578 he was not yet a novelist, though the
conception of the novel and the capacity for its creation were, as we
have just shown, already forming in his brain. In 1580, however, the
English novel had ceased to be merely potential; for it had come into
being with the appearance of _Euphues and his England_. Here in the same
writer, in the same book, and within the space of two years, we may
observe one of the most momentous changes of modern literature in
actual process. The _Anatomy of Wit_ is still the moral Court treatise,
coloured by the influence of the Italian _novella_; _Euphues and his
England_ is the first English novel. Lyly unconsciously symbolizes the
change he initiated by laying the scene of his first part in Italy,
while in the second he brings his hero to England. That sea voyage,
which provoked the stomach of Philautus sore, was an important one for
us, since the freight of the vessel was nothing less than our English
novel.
The difference between the two parts is remarkable in more ways than
one, and in none more so than in the change of dedication. The _Anatomy
of Wit_, as was only fitting in a moral Court treatise, was inscribed to
the gentleman readers; _Euphues and his England_, on the other hand,
made an appeal to a very different class of readers, and a class which
had hitherto been neglected by authors--"the ladies and gentlewomen of
England." With the instinct, almost, of a religious reformer, Lyly saw
that to succeed he must enlist the ladies on his side. And the
experiment was so successful that I am inclined to attribute the
pre-eminence of Lyly among other euphuists to this fact alone. "Hatch
the egges his friendes had laid" he certainly did, but he fed the chicks
upon a patent food of his own invention. Mr Bond suggests that the
general attention which the _Anatomy_ secured by its attacks upon women
gave Lyly the idea for the second part. But, though this was probably
the immediate cause of his change of front, something like _Euphues and
his England_ must have come sooner or later, because all the conditions
were ripe for its production. Side by side with the ideal of the
courtier had arisen the ideal of the cultured lady. Ascham, visiting
Lady Jane Grey, "founde her in her chamber reading _Phaedon Platonis_
in Greeke and that with as much delite, as some gentlemen would read a
merie tale in Bocase[90]"; and, when a Queen came to the throne who
could talk Greek at Cambridge, the fashion of learning for ladies must
have received an immense impetus. With a "blue stocking" showing on the
royal footstool, all the ladies of the Court would at least lay claim to
a certain amount of learning. Dr Landmann has attributed the vogue of
Public-domain text, read in full here on John Shaqi.
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