"But she didn't any more have a fortune than I did. She and her mother,
who died about a year after, were living here in town just on the wages
of three or four hired-out slaves, and----"
The younger voice interrupted with a question indolently drawn out: "Was
she as beautiful in those days as they say?"
"Why, allowing for some natural exaggeration, yes."
"You built Rosemont about the time her mother died, didn't you?"
"Yes, about three years before the war broke out. It was the only piece
of land she had left; too small for a plantation, but just the thing for
a college."
"It is neatly named," pursued the questioner; "who did it?"
"I," half soliloquized the narrator, wrapped in the solitude of his own
originality.
He moved into view, a large man of forty, unmilitary, despite his good
gray broadcloth and wealth of gold braid, though of commanding and most
comfortable mien. His upright coat-collar, too much agape, showed a
clerical white cravat. His right arm was in a sling. He began to pick
his way out of the brambles, dusting himself with a fine handkerchief.
The horse came to meet him.
At the same time his young companion stepped upon a fallen tree, and
stood to gaze, large-eyed, like the horse, across the sun-bathed scene.
He seemed scant nineteen. His gray shirt was buttoned with locust
thorns, his cotton-woolen jacket was caught under an old cartridge belt,
his ragged trousers were thrust into bursted boots, and he was thickly
powdered with white and yellow dust. His eyes swept slowly over the
battle-ground to some low, wooded hills that rose beyond it against the
pale northwestern sky.
"Major," said he.
The Major was busy lifting himself carefully into the saddle and
checking his horse's eagerness to be off. But the youth still gazed, and
said again, "Isn't that it?"
"What?"
"Rosemont."
"It is!" cried the officer, standing in his stirrups, and smiling fondly
at a point where, some three miles away by the line of sight, a dark
roof crowned by a white-railed lookout peeped over the tree-tops. "It's
Rosemont--my own Rosemont! The view's been opened by cutting the woods
off that hill this side of it. Come!"
Soon a wreath of turnpike dust near the broken culvert over Turkey Creek
showed the good speed the travelers made. The ill-shod youth and
delicately-shod horse trudged side by side through the furnace heat of
sunshine. So intolerable were its rays that when an old reticule of
fawn-skin with bright steel chains and mountings, well-known receptacle
of the Major's private papers and stationery, dropped from its
fastenings at the back of the saddle and the dismounted soldier stooped
to pick it up, the horseman said: "Don't stop; let it go; it's empty. I
burned everything in it the night of the surrender, even my wife's
letters, don't you know?"
"Yes," said the youth, trying to open it, "I remember. Still, I'll take
its parole before I turn it loose."
Public-domain text, read in full here on John Shaqi.
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