She tried to look displeased and dignified, but the stranger's impudence
and breezy familiarity amused her. He was a clean-cut, rather
good-looking boy, and his laugh was not only contagious but positively
refreshing after Mr. Ricaby's depressing conversation and funereal
countenance.
"How did you know that I understood English?" she inquired.
Pointing to a copy of _Galignani's Messenger_ in which her palette and
brushes had been wrapped, he said with a chuckle:
"I saw that--jumped at conclusions--that's all. I'd make good as a
Sherlock Holmes, eh, what? Besides, don't you suppose I can spot an
American girl when I see one?"
"I'm only half American," she answered, surprised to find herself
conversing so glibly with a perfect stranger. "My mother was French. My
father was an American."
Noticing that she spoke in the past tense and remarking her mourning
dress, he surmised that her parents were dead. She interested him, and
it was more sympathy than idle curiosity that prompted the query:
"Where do you live--New York?"
She shook her head.
"No, I live here, or, rather, have done so until quite recently. I'm
going to America next Saturday--to live there for good."
"Next Saturday!" he cried, in surprise. "Say, that's odd! I'm going on
the _Touraine_ myself!"
"The _Touraine_--yes--I think that's the name of the boat." Almost
apologetically she added: "You see I haven't travelled very much."
Looking at him more closely, she inquired:
"You are an American?"
He grinned, showing fine white teeth.
"I try to be. Greatest country on earth. My name's Todhunter
Chase--'Tod' for short you know. Everyone calls me Tod. It's hard to be
dignified with such a name, ain't it?"
Suddenly the girl caught sight of her painting which, hurled a dozen
paces away, was lying face down in the dust.
"Oh, my picture!" she exclaimed anxiously. "I do hope it's not damaged!"
She started forward to pick it up, but Tod, by a quick jump, got there
before her.
"No damage done!" he cried triumphantly. With a careless laugh he added:
"Anyhow, it's only a picture."
"Only a picture!" she exclaimed indignantly as she clasped the precious
canvas to her breast. "Don't you love what is your own? I've worked six
long months over it. I wouldn't have anything happen to it for anything
in the world. Don't you like pictures?"
He gave a broad grin as he answered:
"Pictures? I'm crazy for 'em--especially the kind engraved on a $500
U. S. Treasury note. I'm perfectly dippy over those."
"Dippy? What's that?" she asked, puzzled.
"Oh--you're not familiar with Broadway slang, are you? Well--'dippy' is
most expressive and up to date. It means that one's joy over a certain
thing is so keen that the mental faculties are put temporarily out of
gear."
She laughed heartily. He was certainly droll, this American. He made her
laugh and that in itself was a novel sensation. As she packed up her
things, she asked:
"What is your life work?"
"My what?" he gasped.
Public-domain text, read in full here on John Shaqi.
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