I think it was more the vulgarity and insolence of those I saw decked in
the regalia of wealth than anything else--than even my own poverty--that
changed my views and turned me for a time from my easy indifference as
to social conditions toward a recognition that those conditions are
ridiculously antiquated, a bent I have never quite got over, though I
was later drawn back to a more conservative point of view than, under
the hatred of sham and the spur of want, I was driven to occupy for some
time. They have no traditions and no ideals. They know no standard but
wealth, and possess no ability to display it but through parade. They
feel it necessary to prove their novel position by continual assertion.
They think that wealth has exempted them from decency. They mistake
civility for servility and rudeness for gentility. Their best effort is
only a counterfeit, a poor imitation of what they imagine to be the
manners of the upper class abroad whose indifferent manners they ape.
"Misery loves company," and when I wanted comfort I left the section of
splendor and display, of riotous extravagance and glittering wealth, and
went to those poorer than myself; a practice I can commend from
experience.
When I got so desperate that I could not stand it any longer, and was
afraid I might fall down dead or do myself violence, I used to turn my
steps in another direction and walk through the poorer part of the
city--not the worst part--where there was nothing but dirt and squalor
and filth: that sickened me, and I had never had much sympathy with the
class that lived there. They always appeared contented enough with their
surroundings and rather to enjoy themselves in their own way. And not
the successful workman's quarter. There was an assurance and assumption
there that offended me. The assumption bred of sudden success, no matter
in what class, is everywhere equally vulgar after its kind. It was the
part of the city where the people were respectable, but where they could
just hold on with all their struggling and striving, that I used to go
into; the part where there were patches, not rags; and sometimes an
effort to keep down the dirt, and where a bit of a plant in a little pot
or a little cheap ornament in a window told of the spark of sentiment
that could yet live amid the poverty and hardness about it. They always
place them in the windows, partly, no doubt, to get the light, and
partly, perhaps, to show passers-by that there is something within
better than might be looked for next door. These people on their
holidays always make toward the open country; they try to get away from
their robuster, more successful brothers, and get back near to
Nature--the old mother that cares nothing for success; and repays only
according to the love her children bear her. Here I often walked as I
grew more wretched.
Public-domain text, read in full here on John Shaqi.
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