The following day an order for a general strike on the lines operated by
Mr. Leigh was issued, and the next morning after that not a wheel turned
on his lines or in his factories. It was imagined and reported as only a
question of wages between an employer and his men. But deep down
underneath lay the secret motives of McSheen and Canter and their set
who had been plotting in secret, weaving their webs in the
dark--gambling in the lives of men and sad-eyed women and hungry
children. The effect on the population of that section of the city was
curious. Of all sad things on earth a strike is the saddest. And like
other battles, next to a defeat the saddest scene is the field of
victory.
The shadow had settled down on us; the sunshine was gone. The temper of
every one appeared to have been strained. The principle of Unionism as a
system of protection and defence had suddenly taken form as a system of
aggression and active hostility. Class-feeling suddenly sprang up in
open and armed array, and next came division within classes. The talk
was all of force; the feeling all one of enmity and strife. The entire
population appeared infected by it. Houses were divided against
themselves; neighbors who had lived in friendliness and hourly
intercourse and exchanged continual acts of kindness, discussed,
contended, quarrelled, threatened, and fought or passed by on the other
side scowling and embittered. Sweetness gave place to rancor and
good-will to hate.
Among those affected by the strike was the family of my old drummer. The
change was as apparent in this little home, where hitherto peace and
content had reigned supreme with Music to fill in the intervals and make
joy, as in the immediate field of the strike.
The whole atmosphere of happiness underwent a change, as though a deadly
damp had crept in from the outside, mildewing with its baleful presence
all within, and turning the very sunlight into gloom. Elsa had lost her
place. The box-factory was closed. The house was filled with contention.
The musicians who came around to smoke their big pipes and drink beer
with old Loewen were like the rest, infected. Nothing appeared to please
any longer. The director was a tyrant; the first violin a charlatan; the
rest of the performers mostly fools or worse; and the whole orchestra "a
fake."
Public-domain text, read in full here on John Shaqi.
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