The first things that struck me as I stepped out into the thronged
streets of the city were the throngs that hurried, hurried, hurried
along, like a torrent pouring through a defile, never stopping nor
pausing--only flowing on, intent on but one thing--getting along. Their
faces, undistinguished and indistinguishable in the crowd, were not
eager, but anxious. There was no rest, and no room for rest, more than
in the rapids of Niagara. It was the bourgeoisie at flood, strong,
turgid, and in mass, ponderant; but inextinguishably common. As I stood
among them, yet not of them, I could not but remark how like they were
in mass and how not merely all distinction but all individuality
perished in the mixing. I recalled a speech that my father had once
made. "I prefer countrymen," he said, "to city men. The latter are as
like as their coats. The ready-made-clothing house is a great civilizer,
but also a great leveler. Like the common school of which you boast, it
may uplift the mass, but it levels--it destroys all distinction."
This came home to me now.
I had a proof of its truth, and, I may add, of the effect of urban
influences not long after I launched on the restless sea of city life. I
was passing one day along a street filled with houses, some much finer
than others, when my way was blocked by a child's funeral in front of a
small but neat house beside one much more pretentious. The white hearse
stood at the door and the little white coffin with a few flowers on it
was just about to be borne out as I came up. A child's funeral has
always appealed to me peculiarly. It seems so sad to have died on the
threshold before even opening the door. It appeared to me suddenly to
have brought me near to my kind. And I stopped in front of the adjoining
house to wait till the sorrowing little cortege had entered the
carriage which followed behind the hearse. A number of other persons had
done the same thing. At this moment, the door of the larger house next
door opened, and a woman, youngish and well-dressed, appeared and stood
on her steps waiting for her carriage which stood at some little
distance.
As I was standing near her, I turned and asked her in an undertone:
"Can you tell me whose funeral this is?"
"No, I cannot," she said, so sharply that I took a good look at her as
she stood trying to button a tight glove.
"Oh! I thought, perhaps, you knew as they are your next-door neighbors."
"Well, I do not. It's no concern of mine," she said shortly. She
beckoned to her carriage across the way. The coachman who had been
looking at the funeral caught sight of her and with a start wheeled his
horses around to draw up. The number of persons, however, who had
stopped like myself prevented his coming up to her door, which appeared
to annoy the lady.
"Can't you move these people on?" she demanded angrily of a stout
officer who stood like the rest of us, looking on.
"It's a funeral," he said briefly.
Public-domain text, read in full here on John Shaqi.
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