John Stuart Mill; His Life and Works: Twelve Sketches by Herbert Spencer, Henry Fawcett, Frederic Harrison, and Other Distinguished Authors — John Shaqi
John Stuart Mill; His Life and Works: Twelve Sketches by Herbert Spencer, Henry Fawcett, Frederic Harrison, and Other Distinguished Authors
Philosophy
John Stuart Mill; His Life and Works: Twelve Sketches by Herbert Spencer, Henry Fawcett, Frederic Harrison, and Other Distinguished Authors
Mill, John Stuart, 1806-1873; Philosophers -- Great Britain -- Biography
"The poems which we have quoted from Mr. Tennyson prove
incontestably that he possesses in an eminent degree the
natural endowment of a poet,--the poetic temperament. And it
appears clearly, not only from a comparison of the two
volumes, but of different poems in the same volume, that
with him the other element of poetic excellence,
intellectual culture, is advancing both steadily and
rapidly; that he is not destined, like so many others, to be
remembered for what he might have done rather than for what
he did; that he will not remain a poet of mere temperament,
but is ripening into a true artist.... We predict, that, as
Mr. Tennyson advances in general spiritual culture, these
higher aims will become more and more predominant in his
writings; that he will strive more and more diligently, and,
even without striving, will be more and more impelled by the
natural tendencies of an expanding character, towards what
has been described as the highest object of poetry,--'to
incorporate the everlasting reason of man in forms visible
to his sense, and suitable to it.'"
This last sentence might easily be construed into a prediction of "In
Memoriam" and "The Idyls of the King."
If it is asked why Mr. Mill, with all his width of knowledge and
sympathy, has achieved so little of a reputation as a miscellaneous
writer, part of the reason no doubt is, that he sternly repressed his
desultory tendencies, and devoted his powers to special branches of
knowledge, attaining in them a distinction that obscured his other
writings. Another reason is, that, although his style is extremely
clear, he was for popular purposes dangerously familiar with terms
belonging more or less to the schools. He employed these in literary
generalizations, without remembering that they were not equally
familiar to his readers; and thus general readers, like Tom Moore, or
the author of the recent notice in "The Times," who read more for
amusement than instruction, were disposed to consider Mr. Mill's style
"vastly unreadable."
W. MINTO.
VI.
HIS WORK IN PHILOSOPHY
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