John Vytal: A Tale of the Lost ColonyPayson, William Farquhar
History
John Vytal: A Tale of the Lost Colony
Payson, William Farquhar
Virginia -- History -- Colonial period, ca. 1600-1775 -- Fiction
“Dolt!” rejoined Frazer, turning to Peter and the rest, “I meant that not
so literally. Mark you, all rapiers are too long, an they play against
the queen’s decrees, be they bodkins or the length of quarter-staffs.”
And, looking at St. Magil, he smiled.
“Now, meddler,” resumed Frazer, turning back to Vytal, who maintained his
guard in silence, “I’ll teach you the _stoccata_, as ’tis done before
the queen. The _stoccata_—’tis thus!” Whereat the youth, with a quick
wrist, thrust skilfully. But his blade was parried with apparent ease.
“’Slid!” he exclaimed, betraying himself yet more the braggart, as he
realized the dexterity of Vytal, nevertheless a brave braggart, which
is an uncommon combination. “Body o’ Cæsar! but you know the special
rules! Now this, for instance, the _imbroccata_,” and he thrust again
more viciously in tierce. For several minutes the rapiers crossed and
recrossed, quick, slender gleams dancing in the lanthorn-light. “And
this, the _punto_,” said Frazer, still persisting in his rôle of master,
while Vytal, more than ten years his senior, spoke no word, but only
fenced and fenced, controlling the other’s point and awaiting
an opening. “And the _reverso_—there—there—there again, and the
_passada_—thus—’Slud! the bodkin stitches quickly—the tool’s full of
tricks—God! I’m undone—”
But no, for at this instant the rapier of St. Magil came darting forward
like a snake to parry the thrust from his friend’s breast, and now it was
two, side by side, against the one who held the doorway. The crowd stood
breathless, spellbound. Never had they seen such play of weapons.
Vytal drew a dagger with his left hand; his antagonists instantly
responded. But he was willing to risk that, considering the increase
of his own advantage greater than the addition to theirs. And now the
rapiers played, with an under meaning, as it were, in the vicious
poniards. Here was a contest between men who knew the art, and lived by
it, and could live by naught else now but a successful practice of their
knowledge. Up and down, to and fro, the rapiers made their way, now fast,
now slower, like silver moon-rays on the river below, while hither and
thither, prying about for an open spot, the flat poniards ran with far
more venom though less grace.
And still Vytal held his ground, even gaining at the last, for St. Magil
breathed heavily, and the youth beside him had gone white as death.
Public-domain text, read in full here on John Shaqi.
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