John Vytal: A Tale of the Lost ColonyPayson, William Farquhar
History
John Vytal: A Tale of the Lost Colony
Payson, William Farquhar
Virginia -- History -- Colonial period, ca. 1600-1775 -- Fiction
Opposing this view, many authorities believe that a massacre occurred by
which many of the English suffered at the hands of hostile savages. In
the ensuing story, however, I have ventured to explain the oblivion of
the colony’s end in a way which I believe has not yet been suggested.
After this preamble I hasten to assure the reader—perhaps already
surfeited with historical novels—that he shall find scarce more of
history in the whole tale following than in the foreword just concluded.
The “manners and customs” also are rigidly suppressed. I have made bold,
though, to use several of the colonists’ names which have been preserved,
but the conception of character is my own.
W. F. P.
John Vytal
A Tale of the Lost Colony
Book 1
CHAPTER I
“… framed of finer mould than common men.”
—MARLOWE, in _The Jew of Malta_.
It is not to yesterday that we would take you now, but to a day before
innumerable yesterdays, across the dead sea of Time to a haven mutable
yet immortal. For the Elizabethan era is essentially of the quick,
although its dead have lain entombed for centuries. The world of that
renascent period, alight with the spontaneous fire of intellectual and
passionate life, shines through the space of ages as though then, for the
first time, it had been cast off from a pregnant sun.
Overcoming the remoteness of the epoch by an appreciation of this vivid
reality, we pause at the outset near the great south gate of London
Bridge as it stood three centuries ago.
On a certain April afternoon the massive stones and harsh outlines
served to heighten by contrast the effect of lithe grace and nonchalance
apparent in the figure of a young man, who, leaning lightly against
the barbacan, presented a memorable picture of idleness and ease. Yet
a fleeting expression in the youthful face belied the indolence of
attitude. For in more ways than one “Kind Kyt Marlowe” resembled the
spring-tide, whose tokens of approach he intuitively recognized. His
eyes, usually soft and slumberous with the light of dreams, now and again
shone brilliant like black diamonds. With all his careless incontinence,
he possessed a latent power, a deep, indeterminable force, portending
broad hot days and nights of storm.
Public-domain text, read in full here on John Shaqi.
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