John Vytal: A Tale of the Lost Colony — John Shaqi
John Vytal: A Tale of the Lost ColonyPayson, William Farquhar
History
John Vytal: A Tale of the Lost Colony
Payson, William Farquhar
Virginia -- History -- Colonial period, ca. 1600-1775 -- Fiction
“Because the orders and articles are framed exactly upon the plan of
those issued by Frobisher in 1578, when he sought a northwest passage,
and by Sir Humphrey Gilbert in 1583, changed, of course, to suit our
smaller fleet. The worthy Ferdinando has effected a wise combination; he
has done well—and lied in doing it.”
The governor looked up into Vytal’s dark face for the first time,
searchingly. “How came you to know?” he queried.
“I remember things.”
“But where—”
“I forget other things,” was Vytal’s answer. “An you’ll permit me I’ll
leave you. There’s a man’s face under that light”—he was walking toward
it now alone—“a familiar face,” he repeated to himself, and the next
minute exclaimed in amazement, “’Tis the man who fought beside me on the
bridge!”
“Ay,” said the poet, smiling, “’tis Kyt Marlowe,[2] at your service in
reality.”
Vytal scrutinized him keenly, Christopher returning the gaze with a look
of admiration that increased as his eyes fell once more on the so-called
bodkin at the soldier’s side. “You are readier with that implement than
with your tongue,” he observed, finally.
“The most important questions,” returned Vytal, “are asked with an
upraised eyebrow, an impatient eye.” There was an abrupt cogency and
gravity of manner about the soldier that sometimes piqued his fellows
into an attempted show of indifference by levity and freedom of
utterance. They made as though they would assert their independence
and disavow an allegiance that was demanded only by the man’s strong,
compelling personality, and seldom or never by a word. He was masterful,
and they, recognizing the silent mastery, must for pride’s sake rebel
before succumbing to its power. Marlowe, with all his admiration, born of
the soldier’s far-famed prowess and imperious will, proved no exception
to this rule.
“I marvel,” he observed, with a slight irony and daring banter, “that so
dominant a nature is readily subject to the coercive beauty of women’s
faces. Even the Wolf’s eyes may play the—”
“What?”
“The sheep’s.” It was a bold taunt, and the poet was surprised at his own
effrontery. But like a child he saw the fire as a plaything.
“Explain.” The word came from Vytal quietly and with no impatience.
“Oh, there have been other beguiling faces, so I’ve heard. A tale is
told—” he hesitated.
“Of whom?”
“Of you.”
“What is it?”
“A tale vaguely hinting at a court _amour_. ’Tis said the queen would
have knighted a certain captain for deeds of valor in the south; but
at the moment of her promising the spurs, she found him all unheedful
of her words, found him, in fact, with eyes gazing off entranced at a
girlish face in the presence chamber, the face of her Majesty’s youngest
lady-in-waiting. To those who saw our Queen Elizabeth then and read her
face, the issue was seemingly plainer than day, blacker than night.
Public-domain text, read in full here on John Shaqi.
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