John Vytal: A Tale of the Lost ColonyPayson, William Farquhar
History
John Vytal: A Tale of the Lost Colony
Payson, William Farquhar
Virginia -- History -- Colonial period, ca. 1600-1775 -- Fiction
“Oh, forgive me again! It seems as though I must ever ask forgiveness
from you—from you to whom I owe so much. Believe me, there is a woman’s
heart beneath all this—I have not said that to any man—’tis my reward to
you—and the woman’s heart knows pity—that, too, is a reward—make what
you can of it.” She was speaking tremulously now. “Only—remember—that
hope is cruel—that a little pain may avert a deeper suffering—this was
my intention—believe me, I pray thee believe, John Vytal—I am deeply
grateful underneath the mask. Fate brought us together in a moment. And
then you followed—followed, I suppose—” she hesitated, her breast heaving
and tears gathering in her eyes.
“No,” declared Vytal, anxious in his bewilderment to console her as best
he might, and looking down at her for the first time as at a child. “No,
I knew not you were coming. I believed that I was saying farewell.”
The tears lingered on her lashes without falling. An unreadable
expression came into her face, whether entirely of relief, as Vytal
thought, or with a slight trace of regret and shame, deep-hidden, she
herself could not have told.
“I thought you had found out,” she almost whispered at last.
“Nay, I had no chance to seek you. I was pledged to come. Otherwise I
would have sought till—”
“Stay,” she exclaimed, imperatively, “you must not speak so!”—and then,
in lower tones—“but if of my coming you had no knowledge, is it not yet
more the work of Fate?”
“Or of God.”
“Nay, God is good.” There was naught in her voice now save sadness blent
with doubt. “Perhaps I misread a face—perhaps a name is but a name, and
stands for nothing—perhaps—Oh, sir, is it wrong to speak only in riddles?
What have we said? What has led us to so strange a conversation in so
short a time? Come, let us talk of the voyage, the sea, the all-pervading
night. The night conceals so much, being merciful, but when the day
comes all this mercy and mystery will go—these ocean whispers, this
unutterable darkness, the stars, the moon, even the scent of the salt
will be understood. We shall say ’tis healthful, invigorating, and no
more; but to-night it is the subtle odor of some sea-forest in a world
below, or of flowers in a coral glade. To-morrow the ship will be of wood
and iron, whereas to-night—who comprehends this long, slow-moving shadow
and those silver, moonlit wings above that bear it forward to some far
haven of dreams? To-night we are spellbound; in the morning, if the wind
still sleeps, we shall call the spell a calm.” She paused, and, leaning
back against the bulwark, still looked up into the mist of shrouds. The
moonlight, ensilvering each listless sail, fell full upon her face,
giving the unshed tears an Orient lustre, and the cheeks a pallor of
unreality. Under the edge of her hood the moonbeams strove to make their
way, but could not, and so the gentle but less timid breeze brought
down a strand of her hair to turn it paler and more ethereal, till it,
Public-domain text, read in full here on John Shaqi.
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