England -- Social life and customs -- 19th century -- Fiction; Short stories, English
Jane was dead. Matilda, not unacquainted with the aspect of death, saw
that at once, and her senses pretty nearly deserted her again with
remorse and horror. She had never thought or wished to kill Jane Cross,
hardly to harm her, she liked her too well: but in those moments of
frenzy she had not the slightest control over her actions. Her first act
was to run and lock the side door in the garden wall, lest anyone should
come in. How she lived through the next half-hour, she never knew. Her
superstitious fear of seeing the dead Edmund Peahern in the house was
strong--and now there was another! But, with all her anguish and her
fear, the instinct of self-preservation was making itself heard. What
must she do? How could she throw the suspicion off herself? She could
not run out of the house and say, "Jane Cross has fallen accidentally
over the stairs; come and look to her"--for no one would have believed
it to be an accident. And there were the pieces, too, she had clutched
out of the gown! Whilst thus deliberating the gate-bell rang, putting
her into a state of the most intense terror. It rang again. Trembling,
panting, Matilda stood cowering in the kitchen, but it did not ring a
third time. This was, of course, Thomas Owen.
Necessity is the mother of invention. Something she _must_ do, and her
brain hastily concocted the plan she should adopt. Putting the cloth and
the bread and cheese on the table, she took the jug and went out at the
front door to fetch the usual pint of ale. A moment or two she stood
at the front door, peering up and down the road to make sure that no
one was passing. Then she slipped out, locking the door softly; and,
carrying the key concealed in the hollow of her hand, she threw it
amidst the shrubs at No 1. _Now_ she could not get into the house
herself; she would not have entered it alone for the world: people must
break it open. All along the way to the post-office, to which she really
did go, and then to the Swan, she was mentally rehearsing her tale. And
it succeeded in deceiving us all, as the reader knows. With regard to
the visit of her brother on the Wednesday, she had told Thomas Owen the
strict truth; though, when he first alluded to it in the churchyard, her
feelings were wrought up to such a pitch that she could only cry out
and escape. But how poor Matilda contrived to live on and carry out her
invented story, how she bore the inward distress and repentance that
lay upon her, we shall never know. A distress, remorse, repentance that
never quitted her, night or day; and which no doubt contributed to
gradually unhinge her mind, and throw it finally off its balance.
Such was the true history of the affair at No. 7, which had been so
great a mystery to Saltwater. The truth was never made public, save to
the very few who were specially interested in it. Matilda Valentine is
in an asylum, and likely to remain there for life; whilst Thomas Owen
and his wife flourish in sunshine, happy as a summer day is long.
Public-domain text, read in full here on John Shaqi.
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