Joseph Pennell's pictures of the Panama Canal: Reproductions of a series of lithographs made by him on the Isthmus of Panama, January—March 1912, together with impressions and notes by the artistPennell, Joseph
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Joseph Pennell's pictures of the Panama Canal: Reproductions of a series of lithographs made by him on the Isthmus of Panama, January—March 1912, together with impressions and notes by the artist
JOSEPH PENNELL'S PICTURES
OF THE PANAMA CANAL
FOURTH EDITION
JOSEPH PENNELL'S PICTURES
OF THE PANAMA CANAL
REPRODUCTIONS OF A SERIES OF
LITHOGRAPHS MADE BY HIM ON THE
ISTHMUS OF PANAMA, JANUARY--MARCH,
1912, TOGETHER WITH IMPRESSIONS
AND NOTES BY THE ARTIST
[Illustration: ++ Decorative image.]
PHILADELPHIA AND LONDON
J. B. LIPPINCOTT COMPANY
1913
COPYRIGHT, 1912, BY JOSEPH PENNELL
PUBLISHED, SEPTEMBER, 1912
PRINTED BY J. B. LIPPINCOTT COMPANY
AT THE WASHINGTON SQUARE PRESS
PHILADELPHIA, U.S.A.
TO
J. B. BISHOP
SECRETARY OF THE ISTHMIAN
CANAL COMMISSION
WHO
MADE IT POSSIBLE
FOR ME TO DRAW
THESE LITHOGRAPHS
AND
WHO WAS ALSO GOOD
ENOUGH TO ACCEDE
TO MY REQUEST AND
READ AND CORRECT
THE PROOFS FOR ME
INTRODUCTION--MY LITHOGRAPHS OF THE PANAMA CANAL
The idea of going to Panama to make lithographs of the Canal was mine.
I suggested it, and the _Century Magazine_ and _Illustrated London
News_ offered to print some of the drawings I might make.
Though I suggested the scheme a couple of years ago, it was not until
January, 1912, that I was able to go--and then I was afraid it was too
late--afraid the work was finished and that there would be nothing to
see, for photographs taken a year or eighteen months before, showed
some of the locks built and their gates partly in place.
Still I started, and after nearly three weeks of voyaging found,
one January morning, the Isthmus of Panama ahead of the steamer, a
mountainous country, showing deep valleys filled with mist, like snow
fields, as I have often seen them from Montepulciano looking over Lake
Thrasymene, in Italy. Beyond were higher peaks, strange yet familiar,
Japanese prints, and as we came into the harbor the near hills and
distant mountains were silhouetted with Japanese trees and even the
houses were Japanese, and when we at length landed, the town was full
of character reminiscent of Spain, yet the local character came out
in the Cathedral, the tower of which--a pyramid--was covered with a
shimmering, glittering mosaic of pearl oyster shells. The people, not
Americans, were primitive, and the children, mostly as in Spain, were
not bothered with clothes.
Public-domain text, read in full here on John Shaqi.
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