Joseph Pennell's pictures of the Panama Canal: Reproductions of a series of lithographs made by him on the Isthmus of Panama, January—March 1912, together with impressions and notes by the artistPennell, Joseph
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Joseph Pennell's pictures of the Panama Canal: Reproductions of a series of lithographs made by him on the Isthmus of Panama, January—March 1912, together with impressions and notes by the artist
The lithograph made in the middle lock shows the gates towering on
either side. These gates were covered, when I made the drawing, with
their armor plates. The lower parts, I was told, are to be filled with
air, and the gates, worked by electricity, will virtually float. The
scaffolding is only temporary, and so is the opening at the bottom and
the railroad tracks, which were filled up and discarded while I was
there. So huge are the locks--the three, I think, a mile long, each
one thousand feet between the gates, and about ninety feet deep--that,
until the men knock off, there scarce seems anyone around.
[Illustration]
V THE GUARD GATE, GATUN
There is a safety gate in each lock, to protect, in case of accident,
the main lock gate, just suggested, with the figures working at the
armor-plate facing, on the extreme right. Beyond are the outer walls
and approaches of the upper lock, and beyond these, but unseen, the
lake. At the bottom is the railroad and the temporary opening shown
in the previous drawing. The scale, the immensity of the whole may be
judged by the size of the engines and figures. I have never seen such a
magnificent arrangement of line, light and mass, and yet those were the
last things the engineers thought of. But great work is great art, and
always was and will be. This is the Wonder of Work.
[Illustration]
VI APPROACHES TO GATUN LOCK
These huge arches, only made as arches to save concrete and to break
the waves of the lake, are mightier than any Roman aqueduct, and more
pictorial, yet soon they will be hidden almost to the top by the waters
of the lake. Electric locomotives will run out to the farthest point,
and from it, tow the ships into the lock. Beyond is Gatun Lake, and
to the right the lines of the French Canal and Chagres River stretch
to the horizon. Even while I was on the Isthmus the river and canal
disappeared forever before the waters of the rapidly rising flood. All
evidence of the French work beyond Gatun has vanished under water. I
did not draw the Dam or the Spillway simply because I could not find a
subject to draw, or could not draw it.
[Illustration]
VII END OF THE DAY--GATUN LOCK
This was another subject I saw as the men stopped work in the evening.
On the left is the stairway which most of them use, and on both sides
are iron ladders which a few climb. The semicircular openings are for
mooring the ships.
[Illustration]
VIII THE JUNGLE
THE OLD RAILROAD FROM THE NEW
While I was on the Isthmus the old line from Gatun to the Culebra Cut
at Bas Obispo was abandoned, owing to the rising waters of the lake,
which will soon cover towns, and swamps, and hills, and forests. This
drawing was made looking across the lake near Gatun, with the dam in
the distance, and I have tried to show the rich riot of the jungle.
Below, on the old road, is a steam shovel digging dirt. The little
islands, charming in line, are little hills still showing above the
waters of the forming lake.
Public-domain text, read in full here on John Shaqi.
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