Joseph Pennell's pictures of the Panama Canal: Reproductions of a series of lithographs made by him on the Isthmus of Panama, January—March 1912, together with impressions and notes by the artistPennell, Joseph
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Joseph Pennell's pictures of the Panama Canal: Reproductions of a series of lithographs made by him on the Isthmus of Panama, January—March 1912, together with impressions and notes by the artist
These great cranes travel to and fro, and as I drew the nearest I found
the lines changing, but thought there was something wrong with me.
So huge were they, and so silently and solemnly did they move, that
I could not believe they were moving. This is the Pacific end of the
lock--the last on the Canal.
[Illustration]
XXIII WALLS OF MIRAFLORES LOCK
The only wall in March of the approach to Miraflores may be contrasted
with the similar subject No. XX--Pedro Miguel.
Much as there was to be done in March, the engineer, Mr. Williamson,
had no doubt it would be finished this fall; for as fast as the other
locks were completed, men and machines were to be put on this.
[Illustration]
XXIV OFFICIAL ANCON
Amid these royal palm groves work and live many of the members of the
Isthmian Canal Commission--the rest are on the high hill at Culebra.
To the secretary, Mr. J. B. Bishop, and to his family, I am endlessly
indebted for endless help while on the Zone.
Ancon is a perfect Japanese town--built by Americans--and the interiors
of the houses here and at Culebra are as delightful as their owners are
charming--and I know of what I speak. The large building against the
ocean is the Administration Office of the Isthmian Canal Commission.
[Illustration]
XXV FROM ANCON HILL
A road winds up Ancon Hill, passing the official residences and the
hospitals, finally reaching a terrace bordered with royal palms. Below
to the left is the Tivoli Hotel, and still lower and farther away, the
city, while the Pacific fills the distance. This is the most beautiful
spot I saw on the Isthmus.
[Illustration]
XXVI THE CATHEDRAL, PANAMA
The Cathedral, one of a number of churches in the city of Panama,
stands in a large square. The feeling of all these, with their richly
decorated façades and long, unbroken side walls, is absolutely
Spanish--but the interiors are far more bare--much more like Italian
churches.
[Illustration]
XXVII THE CITY OF PANAMA FROM THE TIVOLI HOTEL, ANCON
From the wing of the Government hotel in which I stayed I looked out
over the city of Panama to the Pacific. If this city were in Spain, or
if even a decent description of it were in a European guide-book, the
hordes of Americans who go to the Canal would rave over it. As it is,
not many of them (not being told) ever see it, though there are few
towns in Europe with more character. But I regret to say my countrymen
don't know what they are looking at, or what to look at, till they have
a guide-book, courier or tout to tell them. The Government provides, I
am told, a Harvard graduate to perform the latter function, and sends
out daily an observation car across the Continent.
The two strange, flat-topped mountains, miles out at sea, are to be
fortified, and they are so far from shore, and the locks so far inland,
as to be out of range--as well as out of sight--of modern guns and
gunners.
[Illustration]
XXVIII THE MOUTH OF THE CANAL FROM THE SEA
Public-domain text, read in full here on John Shaqi.
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